Third Coast Festival features “Ocean Hour,” a radio classic from 1979, back when NPR attempted such sonic splendor. It’s produced by HV’s Larry Massett (who also composed & performed the music ) and Keith Talbot– 3rdCoast interviews Keith “Behind the Scenes.”
Archive for May, 2007
Our Memorial Day hour special, “For The Fallen,” airs on 300+ 370+ stations this weekend. Check the webwork for audio, casualty charts, and video slideshow. The host is Major Robert Schaefer, US Army Special Forces, a poet and Green Beret.

Took the new all-in-one HHB Flash Mic/Recorder (US$1K street) for a literal spin. Wrapped it in a Rycote full-ball wind-sock (that I use for my Shure VP-88), stuffed it inside the chest pocket of a shell-jacket (in above mic it’s that tribble sticking outta my torso), then pedaled about 30-miles, recording and babbling into it much of the way.
The HHB is a good-sounding microphone with a high-quality digital recorder built right into the mic tube. It’s a mono omni dynamic mic. I rarely use dynamics cuz they just don’t sound as good as condensers (which have wider frequency response and greater signal level = better basses and highs = crispness and presence). But for a dynamic the HHB sounds pert-dern decent. Here’s a mic-ing-while-biking clip:
You can hear it’s pretty good with handling and wind-noise (at least w/ sock on). You can see the mic-to-mouth distance in above pic and hear it’s picking up my voice and road sounds rather well.
Ease-of-use is where this thing really shines. It’s gotta 1GB flash memory card (non-removable) built in, which gives you 3+ hours of recordings (at 44.1KHz, 16bit mono .wav). If it’s on it’s in record-monitor mode. One-button starts the recording, and there’s a pre-record buffer that writes-to-disk the up-to-10sec. of audio before you hit record.
Batteries (2 AAs), which weren’t fresh when I statrted, lasted 4+hours. The headphone amp powered my Etymonic buds well — no trouble monitoring. The thing is really light-weight, but the mic housing and buttons feel rugged. The level meter screen is small but usable. The LCD display is quite readable, even in fairly strong outdoor-light, with usable indicaters of mic-lvel and battery-life. The bottom button/dial on the bottom turns it on and controls all the levels and myriad menu commands, which is a bit tedious; but if you set most everything before you go out it isn’t a prob. There’s a mini-USB jack (digi-camera style) on the bottom for uploading your soundfiles via computer. Didn’t use the filters (high & lo pass) or auto-level controls, so don’t know nada about how they perform.
In sum, this thing performed admirably in this difficult-to-record situation. So considering the parameters: an all-in-one light, rugged mic/recorder that sounds good, is simple to use, stores lotsa audio , and runs a long time on a set of batteries, HHB has done a really nice job. But as with all HHB products, you pay for their high-quality and innovation: the HHB Flash Mic’s about US$1K (street).
Cred: Borrowed the mic from Atlantic Public Media. Recording was for the new series Stories from the Heart of the Land. Thanks to Emily Botein for clip selection.
This week’s HV cast is from the Song and Memory series. What song from your past brings back a strong memory? Kelly Kinsey tells us about a Beatles tune that takes her back. Produced by Ann Heppermann, Rick Moody & Kara Oehler, “Eleanor Rigby” (mp3 3:23):
Pop Philosophy in PowerPoint-ese, a film by Clemens Kogler:
Found at WFMU.
While searching for other things, I happened to come across a great collection of graffiti images from Greece. They’re organized in a nice viewer application too.
graffiti are everywhere if you have eyes to see them…
even behind other newer graffiti like pages one over another…
here I collect them in photos.. apart of groups
This week’s HV cast: A woman’s song on the streets of Taipei, Taiwan, leads the producer to the outskirts of town, to climb the rock steps of the White Temple. There, high in the clouds, one hundred voices are singing a salutation to the Buddha. A story by Dmae Roberts, “”White Temple- Taiwan”" (mp3 1:51):

I-10 west outta New Orleans goes right thru the Atchafalaya swamp. Right thru it, several times; the highway’s held up on posts for miles. Was listening to a country station playing the trad stuff: Merle Haggard, Dolly Parton, and this one from George Strait… but before I post the song, I gotta give it setting.
Ok, think driving 85mph toward a skyfull of Louisiana sunset; air full of mositure and swamp smells, cranes flying overhead, passing places named Lake Ponchartrain, Whiskey Bay, and Bayou Teche; the windows rolled all the way down, but the radio turned up plenty loud to hear it clear over the wind and engine noise. Now, outta the speakers pours George Strait “Amarillo by Morning”: