Heppermann, Ann/Archives
Ann Heppermann and Kara Oehler have been producing radio together since 2002. Their work has aired nationally and internationally on public radio shows including: This American Life, Morning Edition, American Routes, WBEZ Chicago Matters, Weekend America, BBC A World in Your Ear, The Next Big Thing, Radio Lab, Re:Sound, Marketplace and numerous others. Kara and Ann created an experimental short documentary for the Third Coast International Audio Festival in 2003 about illegal migrants’ experiences crossing the Sonoran Desert. The piece has been featured at festivals around the world and also published in “Documentary 101: A Guided Listening Experience for the Classroom.” Recently, it was part of the Peabody Award winning Hearing Voices program: “Crossing Borders.”
Main St Chattanooga
AnnKara have been busy this summer Mapping Main Streets across the country. The first radio part of their project ran this Weekend Edition Saturday on NPR, “Chattanooga, Main St” (10:01 mp3):
Also check MapMainSt’s intro vid:
HV014- Fans and Bands
HV/Series/Episode/ Work by: Barrett Golding · Ann Heppermann · Rick Moody · Musicians Own Words · Mark Neumann · Kara Oehler · Ian Svenonius

Hearing Voices from NPR®
014 Fans and Bands:
Groupies, Gravediggers & Rock n’ Roll Singers
Host: Ian Svenonius of Weird War
Airs week of: 2009-5-13 (Originally: 2008-04-06)
“Fans and Bands” (52:00 mp3):
Features a tribute to Bo Diddley (December 30, 1928 - June 2, 2008):
Host Ian Svenonius, of the band Weird War, introduces “The Groupies,” an album of 1969 interviews by producer Alan Lorber (Iris Music Group, Alan Lorber Orchestra).
We visit with the pilgrims at Pere LaChaise cemetery, come to see “Jim Morrison’s Grave” (a sound-portrait by Mark Neumann of Documentary Works and Barrett Golding).
John Denver‘s anti-Christian conspiracy is exposed in the series “Song and Memory” from producers Ann Heppermann & Kara Oehler, with Rick Moody.
And Bo Diddley blows up his mom’s radio in David Schulman’s series “Musicians in Their Own Words.”
Chorus Of Refuge
“Chorus Of Refuge” is new sound installation by (HV producers) Ann Heppermann, Kara Oehler, and composer Jason Cady. It’s free at Union Docs in Brooklyn (322 Union Ave), December 13th 7-9p.m; part of their Documentary Bodega series.
“Chorus of Refuge is a sound installation that transmits the stories of six refugees,living in different cities across the U.S. to six radios. The voices of the refugees are superimposed and coordinated in both rhythm and tonality to unite their narratives of struggle, survival and triumph.”
HV035- 1968
HV/Series/Episode/ Work by: Peter Bochan · Barrett Golding · Ann Heppermann · Kara Oehler
Hearing Voices from NPR®:
035 1968— Summer of Hate
Host— Barrett Golding of Hearing Voices
Airdates— 10/29/2008 – 11/05/2008
1968 (53:00 mp3):
It’s another presidential election year; the American people are deeply divided and deeply entrenched in another unpopular war. The topic is not 2008, but 1968. If 1967 was the Summer of Love, maybe 1968 was the Summer of Hate.
We hear Dale Minor report from the battleground during the “Tet Offensive;” part of from Pacifica Radio Archive 1968 Revolution Rewind.
We go live to the “Chicago 1968″ DNC demonstrations, mixed by Barrett Golding. (Voices: Martin Luther King, Jr, Robert Kennedy, Edward Kennedy, Chicago Mayor Richard Daley, journalist, police, and demonstrators at Chicago 1968 Democratic National Convention. Music: “Ballad of the Green Beret” by Sgt. Barry Sadler, “For What It’s Worth” original by Buffalo Springfield and cover by The Staple Singers.)
We drink “The Electric Kool-Aid Acid Test,” stirred by producers Ann Heppermann and Kara Oehler. (1968 Tom Wolfe book | 2009 Gus Van Sant film Weekend America “This Weekend in 1968” | Voices: Carolyn Garcia, Mountian Girl” & “Hardly Visible” George Walker | Merry Pranksters)
We hear the songs, speeches, and news reports of the times in “A Shortcut Back to 1968,” sliced by Peter Bochan. More…
40 Years of Political Ads
AnnKara‘s latest, in their Weekend America: 1968 series, is a mashup made only from the sounds of 70 different “Political Ads” over the past 40 years (3:51 mp3):

