“Solidod: An Apache Original” (2012 / 52:00) Larry Massett
The Life and Times of Solidod, the last remaining member of her village of Mescalero Apache who lived on the edge of Death Valley. HV editor Larry Massett helped our friend Solidad publish her new e-book, An Apache Original: The Life and Times of Solidod.
Larry composed and performed the piano music in this radio hour.
Solidod is in her 80s and tells about 300 years of her life stories in the book. Here’s an excerpt from Larry’s…
When I first met Solidod she was living alone in a tiny room in a rather depressing subsidized-income apartment complex in Florida. She herself was anything but depressing, though. A few minutes after we met she showed me the little knife she carries with her in her buckskin purse. “But Solidod,” I said, “that’s kind of a dangerous knife, isn’t it?” I said- meaning, dangerous for an 80-year woman. “Yeah, it’s sharp,” she laughed, “but it would be better if it was rusty. So the cut would get infected in case I stab somebody.”
Wow, tough lady. Tough, but also funny, curious, brimming with energy, and a world-class storyteller. As she told me about the adventures of her life I realized she’s been everywhere and done just about everything: horse-trainer, bodyguard, trans-Atlantic sailor, carpenter, gardener, artist, you name it. And she’s busy. She spends her days zipping around town selling the t-shirts she paints and the jewelry she makes, checking on old friends and chatting up new ones. Most people her age seem to be winding down; Solidod’s just getting started…
Me and my Indian, my husband
Several of Solidod’s paintings grace the book’s pages. The e-book is in Kindle format: Amazon make a free Kindle Reader for nearly every computer, tablet, smartphone, and web browser. More…
From a half-hour radio play, commissioned by CBS, written by poet Kenneth Patchen and scored by Cage. Broadcast May 31, 1942 on WBBM radio station (Columbia Broadcasting System in Chicago), as part of their Columbia Workshop series. Performance by Xenia Cage, Cilia Amidon, Stuart Lloyd, Ruth Hartman, Claire Oppenheim and John Cage conducting.
Few contemporary composers had the influence of John Cage. From experimental music to minimalism, Brian Eno to George Winston, echoes of John Cage continue to resound to this day, more than 6 decades after his “Sonatas and Interludes for Prepared Piano” were first published. John Cage was a conceptualist of sound who turned even silence into music as he did with his famous piece, 4 minutes and 33 seconds. John cage died from a stroke in August of 1992. But we hear his thoughts in sound from a 1987 interview. From the series Echoes with John Diliberto, part of their Thoughts in Sound specials.
Public Historian Joey Plaster spent a year gathering 70+ interviews from people experiencing Polk Street’s transition from a working class queer neighborhood to an upscale entertainment district. Polk Street’s scene predates the modern gay rights movement. It was a world unto itself, ten blocks of low rent hotels, bars and liquor stores, all sandwiched in between the gritty Tenderloin, City Hall, and the ritzy Nob Hill: a home invented by people who had no other home.
For decades, the street had been a national destination for queer youth and transgender women, many of them fleeing abusive or unwelcoming homes. But by the mid-1990s, the last of the working class bars that formed the backbone of the Polk community were being replaced by a new bloc of mid-income businesses and residents.
Long-term Polk residents were incredibly emotional about these changes. Many considered the neighborhood to be their first real home. Now they saw their family’s gathering places evaporating. The conflict was sometimes dramatic: owners of one gay bar claimed that the new business association forced them off the street. A gay activist group made national news when they plastered the street with “wanted” posters featuring a photo of the new association’s president.
These intense reactions suggested a rich history, but I found that it had not been recorded. I feared it would be lost with the scene. I had prior experience as an oral historian. This was my first effort to find overlap with radio, which I’ve long felt is the best medium for broadcasting intimate, personal stories from “marginal” populations. —Joey Plaster
Produced for the Vermont Folklife Center: In December 1944 the Allies were closing in on Germany. Hitler had a desperate plan to save the Third Reich, a massive assault he believed would so demoralize that the Allies, they would seek a separate peace, leaving only the Russian army on the eastern front. On December 16 the Germans unleashed an offensive that would become the most brutal battle of the European war: the Battle of the Bulge. Nineteen thousand Americans were killed, about the same number were taken prisoner. We hear from four Americans soldiers about their time in — before, during and after — a German POW camp: Cliff Austin, Harrison Burney, Bill Busier, and Robert Norton.
VFC Radio published a transcript and a CD of “Prisoners of War.” Harrison Burney wrote “From The Bowels of Hell, a soldier’s memoir of World War II, 1944-1945 (143k PDF). Music: “Reitba” and “Concerto No. 3 for Double-Bass and Piano,” composed and performed by cellist Francois Rabbath; “String Quartet in C Major”, the second movement in the “Emperor” by Franz Joseph Haydn, performed by the Concord String Quartet; and “St James Infirmary” from pianist Allen Toussaint’s The Bright Mississippi.
From Musicians in their own words, an NPR series produced by David Schulman: The French singer Camille Dalmais, better known as Camille, has many voices inside her. She makes her music by overlaying everything from a sniffle to a growl to an operatic F-sharp. She speaks about the intimacy of the French language, spirituality and finding a natural music in the sound of everyday speech.
From Hidden Kitchens, an NPR series by the The Kitchen Sisters (Davia Nelson & NIkki Silva): Imagine a Mozart Festival without a note of Mozart. Instead, more than 60 artists from around the world were invited to Vienna by director Peter Sellars and asked to pick up where the musical and social visionary left off, to create new works of art. Called “New Crowned Hope,” for the free-thinking Masonic Lodge in Vienna of which Mozart was a member, it was a month-long, genre-spanning event linking agriculture and culture, with food at its heart. It featured a Maori dance troupe; a Venezuelan street chorus singing a new opera by John Adams; new films from Chad, Iran and Paraguay; Mark Morris’ dance company; Chez Panisse founder and culinary activist Alice Waters; lunch ladies from across Europe; and farmers, chefs and seed-savers from throughout Austria. Aired on NPR Morning Edition. Mixed by Jim McKee of Earwax Productions. Music: John Adams, David Williamson, Frances Nelson, Sarah Folger & harmonia mundi, and Wieslaw Pogorzelski.
From Musicians in their own words: Beyond-Brazilian musician Cyro Baptista is fluent in the musical languages of samba, cabela, and yoyoma. Also, squirrel. He proves it in this piece, and demonstrates how he narrowly averted disaster during a recording session with the fearsome-to-some-people soprano Kathleen Battle. Cyro’s secret weapon? A vacuum cleaner hose. (More at PRX).
Sam is a talented and articulate young jazz musician, brought to the United States at age 5 by his Mexican parents. He stayed out of trouble, was drum major of his high school’s marching band, fell in love with playing jazz on the tenor sax, and got his diploma with honors — only to find that for an “illegal,” graduation marks a dead end. Though Sam dreams of attending college to study jazz performance, he hides his status from even his closest friends. He can’t legally work, drive, get financial aid, or even gain admission to some colleges. “American Dreamer” follows him from his high school graduation, through the following summer, as he struggles to raise money to continue his education and weighs the risks of working and driving illegally against his own desire to achieve his American dream. Aired on NPR Latino USA and All Things Considered.. A one-hour version is at PRX and Long Haul Productions (Dan Collison & Elizabeth Meister). Produced with help from the Paul Robeson Fund for Independent Media and the National Endowment for the Arts.
We’re occupying the streets of Los Angeles; our demands: bring us stories…
“Pilgrim Land” (2005 / 0:43 excerpt) Tom Russell
“Old America” (3:32 excerpt)
“Bukowski #2 on the Hustle=” (2:08 excerpt)
“Honky Jazz” (4:14)
“Swap Meet Jesus” (4:21)
From the album Hotwalker: Charles Bukowski & A Ballad for Gone. An Americana ode to old L.A., the music, the culture, from beat outsiders to religious revivals to long gone radio sounds; with stuntman, circus midget, and actor Little Jack Horton.
“Hotwalker is the best Sam Peckinpah movie since Peckinpah died. It’s a ghostly jubilee, an audacious slab of Blue America. Narrated aby noir cowboy, Tom Russell, it is a singular recording, bound to be controversial — it’s not only going to ruffle feathers, but leave feathers scattered on the ground.”
—novelist-poet Luis Urrea
Anything I know about drama today comes more from Norman Corwin than anybody.
Norman’s passion for the world, the human race, is in the very marrow of his words.
“One World Flight” (13:07):
In this NPR story for the Kitchen Sisters Lost & Found Sound, producer Mary Beth Kirchner sits down with Norman Corwin to remember his four month flight around the globe, and the resulting radio series. (The original 13-episode 1946 series is at Internet Archive.)
Shortly after the World Trade Center fell in autumn 2001, it became clear the United States would invade Afghanistan. Producer Scott Carrier decided he ought to go there too. Why? To see for himself: that’s what writers do. Who are these fanatics, these fundamentalists, the Taliban and the like? And what do they want?
For the weekend of 9/11/11, Hearing Voices from NPR presents Prisoner of Zion. Carrier narrates his trip to Afghanistan. With his young guide and translator, Najibulla, they tour the horrors of war.
Years later Naji tells Scott he must leave his homeland — the dangers for a translator have become extreme. Scott gets Najibulla accepted at Utah Valley University. Naji, it turns out, handles the Mormons quite well, while Scott, teaching at the same school, has a hard time with them. At the end Naji is graduating, about to get married, and start a new job; while Scott wonders whether he can stand teaching another year — or if he’ll wind up on the street like Naji.
→ From Afghanistan: A photo-audio-essay by Scott Carrier; with sounds, images, songs and prayers of the Afghan people.
KUER: 8/30/11: Prisoner of Zion
SALT LAKE CITY, UTAH (kuer) – Wednesday, Doug is joined by independent radio producer Scott Carrier. When the US invaded Afghanistan after the attacks on 9/11, Carrier decided to go there too. He wanted to meet the enemy himself and find out what life is like in their world. But when he returned, he also found an enemy at home. It was the fear and anger that he says Americans have towards others. Scott Carrier has just published a book of stories from the post-9/11 world. It’s called “Prisoner of Zion.”
In 2001 I stopped by Stetson’s house, on a beautiful marshland near Jacksonville, Florida. We talked about his 1939-40 recording expedition, accompanied by Zora Neale Hurston, documenting the songs and stories of Florida. That interview and those recordings become the NPR story “The Sound of 1930s Florida Folk Life” (22:00 mp3):
The Klan Unmasked is Stetson’s story of infiltrating and undermining the KKK. He tell it in this next clip, “Nazi-minded Klansmen” (4:26 mp3):
His good friend Woody Guthrie wrote a song about him, “Stetson Kennedy.” lyrics: Woody Gurthrie; music: Billy Bragg & Wilco, from Mermaid Avenue Vol. II (2:40 mp3):
I done spent my last three cents
Mailing my letter to the President
Didn’t make a show, I didn’t make a dent
So I’m swinging over to this independent gent
Writing his name in
Writing his name in
I can’t win out to save my soul
Long as Smathers-Dupont’s got me in the hole
Them war profit boys are squawking and balking
That’s what’s got me out here walking and talking
Knocking on doors and windows
Wake up and run down election morning
And scribble in Stetson Kennedy
I ain’t the world’s best writer, ain’t the world’s best speller
But when I believe in something I’m the loudest yeller
If we fix it so you can’t make no money on war
Well we’ll all forget what we was killing folks for
We’ll find us a peace job equal and free
We’ll dump Smathers-Dupont in a salty sea
Well, this makes Stetson Kennedy the man for me
A century ago the six Crow Reservation Districts came together for a cultural gathering with other Great Plains tribes. Every third weekend of August the Crow Fair honors that tradition in a “giant family reunion under the Big Sky.” Five days of celebration in southeastern Montana, with a parade, Pow Wow, rodeo, and traditional and fancy dancing.
In 1977 a team of NPR producers and recordists spent a week collecting sounds and interviewing people at this annual event. This early ambient sound-portrait breathes with the arts and activities of the Crow people: the Apsaalooke Nation.
“On October 1, 1945, I stood at the hypocenter of the Hiroshima atomic bombing and made a slow revolution. In that instant I had a difficulty grasping that this city had been felled by a single explosion.”
For many years, Transom.org editor, Sydney Lewis, worked side by side with Studs on his radio show and his books. For this remembrance, a blend of documentary and reminiscence, she brings together a crew of Stud’s co-workers. They share great stories and wonderful previously-unheard tape of Studs himself. Sydney Lewis co-authored Studs’ book Touch and Go: A Memoir.
Interviews with Merry Pranksters Mountain Girl (Carolyn Garcia) and Hardly Visible (George Walker); mixed with audio from the Prankster archives and other 60s esoterica. Produced for PRI Weekend America. (Above photo: courtesy of Zane Kesey.)