“Solidod: An Apache Original” (2012 / 52:00) Larry Massett
The Life and Times of Solidod, the last remaining member of her village of Mescalero Apache who lived on the edge of Death Valley. HV editor Larry Massett helped our friend Solidad publish her new e-book, An Apache Original: The Life and Times of Solidod.
Larry composed and performed the piano music in this radio hour.
Solidod is in her 80s and tells about 300 years of her life stories in the book. Here’s an excerpt from Larry’s…
Introduction
When I first met Solidod she was living alone in a tiny room in a rather depressing subsidized-income apartment complex in Florida. She herself was anything but depressing, though. A few minutes after we met she showed me the little knife she carries with her in her buckskin purse. “But Solidod,” I said, “that’s kind of a dangerous knife, isn’t it?” I said- meaning, dangerous for an 80-year woman. “Yeah, it’s sharp,” she laughed, “but it would be better if it was rusty. So the cut would get infected in case I stab somebody.”
Wow, tough lady. Tough, but also funny, curious, brimming with energy, and a world-class storyteller. As she told me about the adventures of her life I realized she’s been everywhere and done just about everything: horse-trainer, bodyguard, trans-Atlantic sailor, carpenter, gardener, artist, you name it. And she’s busy. She spends her days zipping around town selling the t-shirts she paints and the jewelry she makes, checking on old friends and chatting up new ones. Most people her age seem to be winding down; Solidod’s just getting started…
Me and my Indian, my husband
Several of Solidod’s paintings grace the book’s pages. The e-book is in Kindle format: Amazon make a free Kindle Reader for nearly every computer, tablet, smartphone, and web browser. More…
In May of 2012, Soundwalk Collective traveled into the heart of the Peruvian Amazon to document the ancient chanting rituals of the Ayahuasquero, the Master Shaman and practitioner of plant medicine. In this ritual, the shaman consumes a potent brew made from the Ayahuasca, a sacred vine of the Amazonian jungle, the “vine of the souls”. The brew induces a powerful psychedelic experience that causes visual and auditory hallucinations.
It is in this state that the Ayahuasquero conjures the “icaro” or magic song.
The icaro is more than song, it is a language through which the shaman communicates with the spirits of plants and animals of the jungle — he speaks through them and they sing through him. There are more than a thousand icaros, through which Ayahuasceros call on the spirits for healing, protection, or attack. Icaros can stun a snake, cure a bite, call the soul back to the body, make a sorcerer fall asleep. Icaros are “pure sound,” melodies abstracted so as to become intangible, to become air. In this intangible and most powerful form icaros allow shamans to swallow darts, visit distant planets, call the rainbow, and kill.
Blowing, rattling leaves and singing are synergistic modes of sound that are, at once verbal, unintelligible and abstract — elevating the song to something transcending language. This piece by Soundwalk Collective documents the ancient practice by inhabiting the Ayahuasquero’s soundscape where the icaros become a visceral, haunting, and consuming listening experience.
“Ayahuasqueros” is a radio essay by anthropologist Jeremy Narby, in collaboration with Francisco Lopez, featuring Victor Nieto and Ushamano Walter Martinez. It was ommissioned by Radio France Culture, mixed by Dug Winningham, and produced by Soundwalk Collective: an international sound-art collective, winner of several Audies for their soundwalks and a Dalton Pen award for the Ground Zero w/ Paul Auster. Since 2000 they “have been sonic nomads, embarking on journeys from the desolate land of Bessarabia to the desert of Rub al Khali. By exploring and documenting the world around them through its sounds, the Collective abstracts and re-composes narrative sound pieces through fragments of reality to form distinct audible journeys.”
From a half-hour radio play, commissioned by CBS, written by poet Kenneth Patchen and scored by Cage. Broadcast May 31, 1942 on WBBM radio station (Columbia Broadcasting System in Chicago), as part of their Columbia Workshop series. Performance by Xenia Cage, Cilia Amidon, Stuart Lloyd, Ruth Hartman, Claire Oppenheim and John Cage conducting.
Few contemporary composers had the influence of John Cage. From experimental music to minimalism, Brian Eno to George Winston, echoes of John Cage continue to resound to this day, more than 6 decades after his “Sonatas and Interludes for Prepared Piano” were first published. John Cage was a conceptualist of sound who turned even silence into music as he did with his famous piece, 4 minutes and 33 seconds. John cage died from a stroke in August of 1992. But we hear his thoughts in sound from a 1987 interview. From the series Echoes with John Diliberto, part of their Thoughts in Sound specials.
“In A Landscape” (1994 / 2:07 excerpt) Stephen Drury
Pianist Stephen Drury performs a 1948 Cage composition; the title track of the album In a Landscape
“Cunningham Stories (At the Age of Twelve…)” (1993 / 1:44) Laurie Anderson
“Cage, Cunningham: Collaboration” (1983 / 5:27) Jay Allison
An impressionistic illustration of synchronistic artistic cooperation, in the words of Cage and choreographer Merce Cunningham. Interviews by Katie Davis, from Jay Allison’s series Living in the Arts.
The producer’s wife likes to swim at night, far out into the lake. She was taught long ago how to effortlessly, and beautifully, skim across the water. Aired originally on This American Life “Lessons“.
Mashup master GHP, aka, Mark Vidler, mixes Queen’s sports stadium classic, “We Will Rock You,” with AC/DC, Led Zeppelin, Crowded House and a bit of Beatles, Outkast, and Snoop Dogg. Download off GHP’s This Was Pop 2002-2007.
The producer spent the winter coaching a boys basketball team in her Washington, DC neighborhood. The boys’ grades aren’t good enough to play for the school, so they join a local church league. And Katie Davis starts more as counselor than coach. Originally aired on NPR. Part of the producers Neighborhood Stories series.
Spin class gets personal, with Chet Siegel as Sam, Emily Tarver as Lisa, Ed Herbstman as Kirk. Written collaboratively by The Truth, from a story by Chet Siegel. Special thanks: Peter Clowney, Kerrie Hillman, and Chris Bannon. Recorded at WNYC and on location in New York City. The Truth podcast is produced by Jonathan Mitchell (also on PRX.
Hearing Voices from NPR®
022 Mushroom Cloud: Tales of the Atomic Age
Host: Larry Massett of Hearing Voices
Airs week of: 2012-08-01 (Originally: 2008-07-30)
Documents of our changing perceptions of weapons of mass destruction:
Bomber pilots and bombing victims, and and Colonel Paul Tibbets, pilot of the Enola Gay in “Enola Alone” by Antenna Theater, mixed by Earwax.
Political speeches and popular songs chart our changing attitudes towards weapons of mass destruction in the “Atomic Age.” Residents recall the Nevada and Utah nuclear bomb tests in the 1950s in their “Downwinder Diaries,” produced by Claes Andreasson.
Poet Lawrence Ferlinghetti has “Wild Dreams of a New Beginning,” an excerpt from “One of These days (or Nights)” produced for radio by Erik Bauersfeld (Bay Area Radio Drama), with sound design by Jim McKee (Earwax), and original music by Wieslaw Pogorzelski.
Americans across the country answer Scott Carrier‘s question: “What Are You Afraid Of?”
The story of the Big Bang, with a beat, “Page One” by Lemon Jelly.
And selections from “Atomic Platters: Cold War Music from the Golden Age of Homeland Security” compiled by CONELRAD.com (including Slim Galliard’s “Atomic Cocktail” (1945), versions of “Jesus Hits Like an Atom Bomb” by Lowell Blanchard & The Valley Trio (1949) and by The Pilgrim Travelers, and 1950-60s Civil Defense public service announcements.
Hearing Voices from NPR®
025 Heat: Lazy-Hazy-Crazy Days of Summer
Host: Scott Carrier of Hearing Voices
Airs week of: 2012-07-11 (Originally: 2008-08-20)
What does a city block sound like? Aaron Henkin of WYPR-Baltimore and electronic/hip hop musician Wendel Patrick hit the sidewalk, spending several months documenting the stories, voices, and people who populate the 3300 block of Greenmount Avenue, in Baltimore. We go inside the hair salon, the tattoo parlor, and the check cashing business. We talk to a street preacher and homeless street people. This is a community of different nationalities, ethnicities, and religions; in other words: an All American block.
Both producers are Baltimore-based. Aaron Henkin produced the program for the WYPR series he works on, The Signal. This HV hour also features music from co-producer Wendel Patrick’s 2011 album Forthcoming. His 2007 collection is called Sound:.
Hearing Voices from NPR®
018 Stars and Bars: For Fourth of July
Host: Larry Massett of Hearing Voices
Airs week of: 2012-06-27 (Originally: 2008-07-02)
“Field recordings: Nepal” (2001 / 7:00 excerpts) quiet american
Field recordings in the Annapurna region of Nepal near Tibet, including a ceremony for the Buddha’s birthday, a few donkey trains passing in a cacophony of melodious bells; and a five-foot prayer wheel in a Buddhist gompa in Marpha.
From NPR Radio Expeditions, hidden deep in the woods of the Payette National Forest are the terraced remnants of the “Ah Toy Garden” (near the town of Warren, Idaho), now on the National Register of Historic Places. Produced by Carolyn Jensen Chadwick with sound desgin by Michael Scweppe.
When most people are headed to the beach, our producer heads for the ski slopes near his home in Utah. The goal is to find a combination of freezing and thawing in the late spring that gives the mountain snow pack the singular spring skiing experience(on PRX | on NPR).
Attempting to climb the world’s most deadly and second highest demands extreme gear, training, timing, preparation, and a carefully selected team. Joe Frank eschews every bit of that: why make so easy? Excepted from Joe’s hour, Mountain Rain, available on CD and as an MP3. Music: “Buried At Sea” MC 900 Ft Jesus, One Step Ahead of the Spider.
Hearing Voices from NPR®
015 Father Figures: For Father’s Day
Host: Jay Allison of Transom.org
Airs week of: 2012-06-13 (Originally: 2008-06-11)
Father Figures (54:00 mp3):
From Animals and Other Stories we hear “Reflections of Fathers,” aka, Bugs & Dads (producers: Jay Allison & Christina Egloff, music: Ben Verdery & Rie Schmidt).
Comic strip artist Lynda Barry wishes her divorced dad a “Happy Father’s Day.”
A doctor tells his daughter about her granddad in “StoryCorps– Dr. William Weaver.”
“Grilling Me Softly” is how host Jay Allison describes his daughter’s questions about his love life.
Dan Robb’s family remembers the day “Dad’s Moving Out” (from Jay Allison’s Life Stories).
“Doc Merrick” and daughter Viki go through some girl problems.
David Greenberger tells David Cobb’s story “Because of Dad” (music performed by Bangalore, composed by Phil Kaplan).
Deirdre Sullivan’s father advises “Always Go to the Funeral” (from This I Believe).
Hearing Voices from NPR®
029 Old School: Back-to-School Special
Host: Katie Davis of Neighborhood Stories
Airs week of: 2012-06-06 (Originally: 2008-09-17)
Producer Hillary Frank gets the shy “Quiet Kids” to speak up.
Chicago Tribune columnist Mary Schmich‘s commencement speech advises “Everybody’s Free (To Wear Sunscreen),” with music from filmmaker Baz Luhrman (CD: Something For Everybody), performed by actor Lee Perry, sung by Quindon Tarver).
Host Katie Davis takes her DC summer camp into the wild woods on a “Hike to Rock Creek,” two blocks from where the kids live.
Music: Jurassic 5 “Lesson 6: The Lecture” Jurassic 5 EP, Archie Moore’s “Times Table’ With Soul and a Beat” from WFMU Blog- 365 Days Project, Lanterna “Fields” Sands, Sam Cooke “Wonderful World” Greatest Hits.
Hearing Voices from NPR®
012 For the Fallen: For Memorial Day
Host: Major Robert Schaefer of US Army Special Forces
Airs week of: 2012-05-23 (Originally: 2008-05-21)
And we attend the daily “Last Post” ceremony by Belgian veterans honoring the WWI British soldiers who died defending a small town in western Belgium (produced by Marjorie Van Halteren).
Hearing Voices from NPR®:
055 WordshakerS: For Poetry Month
Host: Andrei Codrescu of NPR / Exquisite Corpse
Airs week of: 2012-04-04 (Originally: 2009-04-01)
Hearing Voices from NPR®
003 Her Stories: For Women’s History Month
Host: Dmae Roberts of Stories1st.org
Airs week of: 2012-02-29 (Originally: 2008-03-19)
“It’s Gonna Rain” was composed in San Francisco in January 1965. The voice belongs to a young black Pentecostal preacher who called himself Brother Walter. I recorded him along with the pigeons and traffic one Sunday afternoon in Union Square in downtown San Francisco. Later at home I started playing with tape loops of his voice and, by accident, discovered the process of letting two identical loops go gradually out of phase with each other.
In the first part of the piece the two loops are lined up in unison, gradually move completely out of phase with each other, and then slowly move back to unison. In the second part two much longer loops gradually begin to go out of phase with each other. This two-voice relationship is then doubled to four with two voices going out of phase with the other two. Finally the process moves to eight voices and the effect is a kind of controlled chaos, which may be appropriate to the subject matter – the end of the world.
“It’s Gonna Rain” is the first piece ever to use the process of gradually shifting phase relations between two or more identical repeating patterns. The second was “Come Out.” Composed in 1966, it was originally part of a benefit presented at Town Hall in New York City for the retrial, with lawyers of their own choosing, of the six boys arrested for murder during the Harlem riots of 1964. The voice is that of Daniel Hamm, now acquitted and then 19, describing a beating he took in Harlem’s 28th precinct station. The police were about to take the boys out to be “cleaned up” and were only taking those that were visibly bleeding. Since Hamm had no actual open bleeding he proceeded to squeeze open a bruise on his leg so that he would be taken to the hospital.
“I had to like open the bruise up and let some of the bruise blood come out to show them.” More…
Hearing Voices from NPR®
050 Love’s Labors: For Valentine’s Day
Host: Amy Dickinson of Chicago Tribune “Ask Amy”
Airs week of: 2012-02-08 (Originally: 2009-02-11)
One of the “6 terrific teen-age tunes sung by Barbie and Ken (and you can sing along, too!),” a 45-rpm record from Mattel Toymakers (mp3 at UBU.com’s 365 Days Project– May 31).
Hearing Voices from NPR®
052 Circus Blood: Under the Big Top
Host: John Dankosky of Connecticut Public Radio
Airs week of: 2012-02-01 (Originally: 2009-02-25)
Adam Rosen mixes a medley of the many versions of “The Lion Sleeps Tonight” (by Ladysmith Black Mambazo, The Tokens, The Nylons, Miriam Makeba, Robert John, and Manu Dibango).
Hearing Voices from NPR®
,” with AC/DC, Led Zeppelin, Crowded House and a bit of Beatles, Outkast, and Snoop Dogg. Download off GHP’s 
(also: 
). Features Voices Of Shabach Community Choir Of Long Island, Stephan Stills and samples from his Buffalo Springfield song, “
.”
.
