Splendid with Sound: The audio world lost a great producer today, Carolyn Jensen Chadwick. With her husband Alex she co-founded NPR’s Radio Expeditions (article in Current) and produced the Interviews 50 Cents films.
We hope you’ll spend an hour soaking in her sonics below. Hubby Alex once described a jungle as “splendid with sound.” That phrase also does justice to CJC’s enveloping, enrapturing, sometimes ecstatic, and always engaging work.
Master-engineer Skip Pizzi (NPR, Microsoft) would play this first piece at workshops to illustrate how a simple story can be superb, when elegantly enhanced with stereo sound. David Molpus narrates a portrait of “Equestrian Olympian: Bruce Davidson” (1984 / Carolyn Jenson Chadwick, producer / 12:39 mp3):
Among the natural sounds CJC captured were those of human nature, as when her husband Alex pitted wits with the regulars at a small-town casino, playing “Poker at the Ox” (Carolyn Jenson Chadwick, producer; Michael Schweppe, engineer / 9:55 mp3):
And in the mountains of Payette National Forest, it’s all guns, guitars, guts, and wild game, inside an “Idaho Hunting Camp” (Carolyn Jenson Chadwick, producer; Michael Schweppe, engineer / 12:57 mp3):
Reprinted by permission from the (private) AIRdaily:
Today is the 39th Anniversary of the first All Things Considered. The first program included a documentary of the largest anti-war demonstration in history (wikipedia). The demonstrators filled the roads, blocked the bridges and stalled the morning commuter traffic, all in an effort to shut down the government. The demonstrators were met with 10,000 federal troops, 5,000 D.C. police and 2,000 National Guard. By the end of the day, over 6,000 had been arrested, the largest mass arrest in U.S. history.
Reporters fanned out, from the Pentagon to the Mall, recording multiple perspectives of the events as they happened. I directed the program that first day, and we hustled to edit the multitude of voices into a cohesive documentary for the 5:00 ET start time.
What followed was an extraordinary 24-minute, sound portrait of the events as they happened, with the voices of protesters, police and office workers above the sirens and chopping of helicopters. Yes, there were flaws, and yet it stands as probably the best sound record of that historic day.
It also was a strong statement of the intention of NPR to get out of the studio, to use sound to effectively tell stories.
NPR has changed. As evidence I offer this early 80s promo produced by Jesse Boogs for NPR. This imagistic radio dramatic audio artistic style said NPR then. Now, not so much; “Morning Edition promo” (1:00 mp3):