HV047- Snow and Ice

Hearing Voices from NPR®
047 Snow and Ice: Winter Weather Advisory
Host: Barrett Golding of Hearing Voices
Airs week of: 2010-02-03 (Originally: 2009-01-21)

Audio will be posted here by 2010-02-10.

Gliding, sliding, and speed (photo cc Tabbymom):

NPR Alex Chadwick invites America to share their stories of Flexible Flyers and downhill runs in a cross-USA audio Sledding Party, produced by Katie Davis. (Music: “Come to the Meadow” Roger Kellaway Cello Quartet (1974).)

Seven skiers go into the back-country, only six return; the story from the perspective of the survivors: Dave Carter, Dwight Butler, Alan Murphy, Chris Larson, and Larry Olson; in memory of Greg McIntyre.

A training day in the life of three women at the U.S. High Altitude Sports Center in Butte, Montana; with skaters Chantelle Bailey, Tara Laslo, and Mary Doctor, and trainers Michael Crowe and Susan Sandvig.

And the sounds of Iceland’s largest glacier, captured by field-recordist Chris Watson, on his CD Weather Report (Touch Music).

Watson’s Vatnajökull sounds were also used in this Sigur Rós film, “Heima” (trailer):

TV News How-to

Want to be a bona fide journalist? Forget J-school, forget internships, all you need to know is:

“How To Report The News” Charlie Brooker, BBC4 Newswipe

via Robert Patterson.

Radio in Net Age

I read these things so you don’t have to: a 30-page essay, “IP Radio – A vision of radio in the Internet age” (Jan09 pdf), by Pierre Bellanger, CEO of Skyrock, the French radio & popular social net. Within are history and prognostications on all things digi-radio-future, but few new perspectives (”Radio, like the written press, the music industry and television, is changing”, etc.).

Did find a few entertaining morsels, like this (pg11) on the singularity and un-CG-ability of the human voice:

Just as a penguin can recognise another among thousands, since time immemorial we have been able to discern a wealth of incredible nuances and emotions in the human voice. We owe our survival to our brain’s ability to decipher the details of the voice, further heightening the effect of visual absence.

Pixar’s digital masterpieces such as Toy Story or Ratatouille reproduce the most complex visual experiences like wet fur or the shine of bodywork with a computer, while the characters express their emotions as well as human actors. Despite these wonders, for the voices the studio uses actors, such as Tom Hanks or Paul Newman. A voice is more complex than an image.

And this historical radio data (pg19) — unsourced, so can’t vouch for validity:

Radio experienced an auspicious period in the United States between 1980 and 2000. In 1995 radio represented a little over 10% of media advertising investments, or $12 billion. Prosperous radio stations generated results equivalent to 30% of their turnover. In 1995 regulations on ownership of several radio stations in the same market were relaxed. This 20 allowed the Clear Channel group to carry out a number of acquisitions; today, it owns about 900 stations with combined revenue of $3.5 billion in 2005.

The Clear Channel policy targeted profitability by standardising and homogenising programmes. Audiences considered risky and insolvent, such as adolescents, were abandoned. Further, morning shows, already attacked by influential puritanical groups and repeated fines from the authorities, were sanitised.

As a result, radio stations were reduced to simply playing lists of tried and tested hits aimed at an audience aged from 25 to 49 and hosted by DJ-robots. These flows were burdened with a maximum of advertising slots. Like a plane whose engine is shut off to save fuel and keeps flying for a few moments, the system seemed to work.

Then it began to show the first signs of weakness at the very moment when the younger generation was seizing the musical offer exploding on the Internet: the number of 18 to 24 year olds listening to the radio has dropped by 20% over the last ten years and 85% of adolescents now find their new music on the Internet.

In 2007 radio’s turnover was $20 billion and still represented about 10% of the media advertising market but it is a decreasing trend. For now, the years of generous cash flow are over.

However, despite everything, according to the Institut Arbitron radio audiences continue to grow (93% of the population listens to 18.5 hours a week on average!) but the length of listening time is dropping.

Finally, this possibility for targeted per-user radio ads based on IP address and other online info (pg24):

The half a million listeners who listen instantly to Difool’s morning show on Skyrock correspond to various characteristics. The same station can attract very different people which is how a large station becomes successful. The addressing process of IP radio means that people listening to the same programme can hear different adverts which correspond to their needs. Such multiple, simultaneous targeting is good news for advertisers which can concentrate their investments on suitable targets, for radio stations which can better serve their clients and are therefore more attractive, and for listeners who will hear adverts which are more relevant to what they are interested in.

IP radio combines radio’s power as a mass media with the advertising precision of the Internet.

How can an IP address be qualified, as it is occasionally random on some machines? Identification of the machine can be reinforced via a small file left on the hard disk (cookies) or through a code entered by the user at the start of the session (login) which identifies the individual. Moreover, the generalised spread of mobile terminals and their use for telecommunications will increase relevance between user and machine. This is currently the case with mobile telephones which are even more individual than PCs.

Even creepier targeted-ads could combine radio w/ the user’s web access data (pg26): “Someone listening to the radio just after looking at an automobile website could hear an ad
hoc advert via the radio.”

Don’t think it’s possible? Think again: “Even without cookies, a browser leaves a trail of crumbs” Ars Techica | Panopticlick EFF research project.

via Technology360.

Peace Guitar Raffle

Peace Talks Radio is raffling a “Peace Guitar to help them stay on the air. The instrument is sign by Bonnie Raitt, Lyle Lovett, Roberta Flack, Taj Mahal, Leo Kotke and other musical luminaries.

Achtung iPad

The revus are in…

“Hitler responds to the iPad”

I thot f’sure Obama was gonna tell us last night that “Everyone gets and iPad.” A jobs and edu stimulus all in one.

Four Lions

A clip from maybe the world’s first “jihadist comedy” film:

The flick’s from Chris Morris of the UK mockumentary TV series Brass Eye. Premiered at Sundance, distributed by Warp.

HV083- Shortcuts- 21st Century III

Hearing Voices from NPR®
083 Shortcuts- 21st Century III: Decade One
Host: Peter Bochan of WPKN-Bridgeport CT
Airs week of: 2010-01-27

“Shortcuts- 21st Century III” (52:00 mp3):

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The final hour in our three hour-long retrospective of this first decade of the century, and the millennium:

We survey selected speech, song, and soundbites of the stories and celebs from 2006 thru 2009: Christ’s passion, planetary climate change, presidential contenders, Ponzi schemes, collapsing economies, Tiger, Michael, Sully, Britney, Bush, Obama, foreclosure, bailout, Bradgelina, Miss USA, You Tube, and the continuing decline of western civilization.

Shortcuts are assembled, mixed and mashed by audio wizard Peter Bochan, of All Mixed Up, WBAI-NYC and WPKN-Bridgeport CT. (All three 21C Shortcuts hours are at PRX.)

SOTU or Stevenote?

Seems we’re approaching a “Who’s your favorite beatle?”* moment when both Steve Jobs and Bacark Obama address planet Earth. This Wednesday (Jan 27) there’s a POTUSA State of the Union speech and an Apple “Come see our latest creation” event.

Who’s talk will you pay most attention; which will likely most affect your life? Your answer reveals much about you.

So what’s it gonna be: SOTU or Stevenote?

*Bernard Mickey Wrangle had developed a psychological test of his own. It was short, simple, and infallible. To administer the test, merely ask the subject to name his or her favorite Beatle. If you are at all familiar with the distinct separate public images of the four Beatles, then you’ll recognize that the one chosen reveals as much about the subject’s personality as most of us will ever hope to know.
—Tom Robbins, Still Life with Woodpecker (1980).