This former National Guard Specialist has “surrendered the force that I carry, the weapon to those elected officials chosen by the American people.” She hopes the people inform themselves and choose wisely.
“Arabic Interrogator” (1:30) Sergeant John McCary
A U.S. Army soldier reports: “When you speak Arabic, you become the interface with the local population — which is 99% of the work in a counter-insurgency.” (McCary is a Truman National Security Project fellow; his January 2009 article in the Washington Quarterly was “The Anbar Awakening: An Alliance of Incentives” –pdf.)
US and Iraqi Special Operations Forces conduct a combat operation inside Sadr city, Baghdad in order to capture known insurgents and terrorists. The operation was conducted on an undisclosed date/time in support of Operation Iraqi Freedom. US Army video by: SSG Ryan C. Creel.
From an HV/NPR series: Retired Navy Captain Ed Nicholson is an avid fly-fishermen. He realized fishing would be good therapy for disabled veterans. So he hooked up with Trout Unlimited and the Federation of Fly Fishers, and with private donations and volunteer guides, they began teaching wounded vets, including many amputees, how to fly-fish. Project Healing Waters, now regularly takes vets on these therapeutic fishing outings. These interviews were recorded in 2007 on Virginia’s Rose River Farm.
“Operation Homecoming: Among These Ruins” (3:30) Sergeant Helen Gerhardt
From an HV/NPR series: A Specialist in the Missouri Army National Guard reads from her email to family and friends about her first few days in Iraq, part of the NEA book/writing project Operation Homecoming. Guitar by Jess Atkins. (Read Ms. Gerhardt’s NYTimes article “Modern Love; Back From the Front, With Honor, a Warrior’s Truth”.)
Designer Jonathan Yuen has a hypnotic, beautiful Flash site intro. Keep clicking the + signs up and to the right to follow his illustrations, inspirations, and animations.
The Encyclopedia of Life: “Imagine an electronic page for each species of organism on Earth…” —Edward O. Wilson. EOL is community-building online database of animals, plants, and other organisms. Lost to learn, for instance,I know that we saw on our hike yesterday 150 Cervus elaphus.
All these services hint at the revolutionary potential of the new computing grid and the information utilities that run on it. In the years ahead, more and more of the information-processing tasks that we rely on, at home and at work, will be handled by big data centers located out on the Internet. The nature and economics of computing will change as dramatically as the nature and economics of mechanical power changed with the rise of electric utilities in the early years of the last century. The consequences for society – for the way we live, work, learn, communicate, entertain ourselves, and even think – promise to be equally profound. If the electric dynamo was the machine that fashioned twentieth century society – that made us who we are – the information dynamo is the machine that will fashion the new society of the twenty-first century.
At work and at home, people found they could use the Web to once again bypass established centers of control, whether corporate bureaucracies, government agencies, retailing empires, or media conglomerates. Seemingly uncontrolled and uncontrollable, the Web was routinely portrayed as a new frontier, a Rousseauian wilderness in which we, as autonomous agents, were free to redefine society on our own terms. “Governments of the Industrial World,” proclaimed John Perry Barlow in his 1996 manifesto “A Declaration of the Independence of Cyberspace,” “you are not welcome among us. You have no sovereignty where we gather.” But, as with the arrival of the PC, it didn’t take long for governments and corporations to begin reasserting and even extending their dominion.
The error that Barlow and many others have made is to assume that the Net’s decentralized structure is necessarily resistant to social and political control. They’ve turned a technical characteristic into a metaphor for personal freedom. But, as Galloway explains, the connection of previously untethered computers into a network governed by strict protocols has actually created “a new apparatus of control.” Indeed, he writes, “the founding principle of the Net is control, not freedom – control has existed from the beginning.” As the disparate pages of the World Wide Web turn into the unified and programmable database of the World Wide Computer, moreover, a powerful new kind of control becomes possible. Programming, after all, is nothing if not a method of control. Even though the Internet still has no center, technically speaking, control can now be wielded, through software code, from anywhere. What’s different, in comparison to the physical world, is that acts of control become harder to detect and those wielding control more difficult to discern.
—Nicholas Carr, The Big Switch
“Two coyotes attacked a promising young musician as she was hiking alone in a national park in eastern Canada, and authorities said she died Wednesday of her injuries. The victim was identified as Taylor Mitchell, 19, a singer-songwriter from Toronto who was touring her new album on the East Coast.
She was hiking solo on a trail in Cape Breton Highlands National Park in Nova Scotia on Tuesday when the attack occurred. She was airlifted to a Halifax hospital in critical condition and died Wednesday morning, authorities said.…
Wildlife biologist Bob Bancroft said coyote attacks are extremely rare because the animals are usually shy. Bancroft, a retired biologist with Nova Scotia’s Department of Natural Resources, said it’s possible the coyotes thought Mitchell was a deer or other prey.
“It’s very unusual and is not likely to be repeated,” Bancroft said. “We shouldn’t assume that coyotes are suddenly going to become the big bad wolf.”
The NPR Halloween music playlist is screaming thru Nov 3, click the image below to start the scare; hours of horror, from Bach’s Toccata to Bauhaus’ Bela Lugosi. Complete list of spooky songs at Ghosts In The Machine: A Haunted Mix:
Don’t think I ever linked to this page at the Nature Conservancy, created a couple years ago by Atlantic Public Media and myself, “Tips For Long Distance Biking.” Another vers is at APM. Both have the Emily Botien-produced radio story, “Biking the Back Roads,” which inspired the Tips page.
The life cycle of a software, from “How the customer explained it” to “How the project leader understood it” to “What marketing advertised” to “What the customer really needed.”
Based on a conversation with Edna Wofford about ESP, dreams and intuition. From the 2003 CD, Mayor of the Tennessee River. Artist David Greenberger of Duplex Planet has been collecting the thoughts, memories and stories from elderly Americans for more than a quarter century.
From birth, a young Native American has been bleeding from his chest. The government keeps him locked in a cell, refusing to heed his uncle’s warnings. A 3D ZBS adaptation of Cherokee writer Craig Strete’s short story from The Bleeding Man and Other Science Fiction Stories.
La Llorona — the weeping woman — is the Mexican equivalent of the bogeyman. The man she loved rejected her, in madness she drowned her children, then herself. Now she roams the night wailing “Aaay, Mis Hijos;” a scary story that keeps children from wandering at night: “La Llorona will get you.”
“I Want to Bite Your Hand” (2:03 excerpt) Gene Moss (MP3J mashup)
Gene Moss’s 1964 Beatles parody mixed w/ SFX by MP3J. Full vers at Mashuptown, “I Want to Bite Your Hand”” (2:50 mp3):
“Jesus and I Go to Hell” (6:48) found-sound
From a cassette tap found by The Professor of WFMU (mp3) & TheAudioKitchen.net. A video vers with images added by Kenneth Salt: More…
Draw some lines and feel the ping: BallDroppings is a geometric music maker.
It’s built with the open-source Processing java software, “a programming language, development environment, and online community that since 2001 has promoted software literacy within the visual arts.” Check this other Processing production: Bicycle Built for 2000 with “over 2000 human voices recorded via the Internet, assembled to sing” a song. (Interview w/ programmer.)
Sez Gizmodo:
I can think of no finer way to waste Friday afternoon than spending 10 minutes of the company’s time watching bullets striking various objects at one million frames per second… For a special treat, load the clip around 7:30 in to watch what happens when a hollow point bullet strikes what looks like cement.
1 million fps Slow Motion video of bullet impacts made by Werner Mehl from Kurzzeit
That’s a 7mm hunting bullet hitting a target at 603 m/s and a 7mm hollow point at 595 m/s, filmed by Kurzzeit, makers of “Professional measurement equipment” in Germany. They’ve posted several High Speed Videos, and there’s more high speed slow motion in Matt Rece’s video gallery.
The Kitchen Sisters are looking for stories and images and videos and writings.
We’re launching a new multimedia series on NPR this January, a listener collaboration in the tradition of Hidden Kitchens, Lost & Found Sound, and The Sonic Memorial Project. This one’s about girls. Girls and the women they become. Stories of coming of age, rituals and rites of passage, secret identities. Of women who crossed a line, broke a trail, changed the tide.
Small everyday stories, dramatic life and death stories. Stories from the middle of the city, to the middle of nowhere.
What women should we know about? What girl’s story should we tell? The famous, the infamous, the unknown, the untold. Women with public lives. Women with secret lives.
Call our NPR Storyline at 202-408-9576 and tell us your story, or the story of someone we need to chronicle. Or email us at kitchen@kitchensisters.org
And here’s The Contest. We want you to help us name this new NPR series. We’ve called it The Secret Life of Girls Around the World, The Scheherazade Project, 1001 Stories, all names we like but can’t go with for one reason or another. So, we turn to you to join our brainstorming sessions. You can call or email us with your suggestions. Whoever picks the title will be featured on our website, get the full line of Kitchen Sisters products and productions, a wild boar dinner with forager, Angelo Garro, and the deep satisfaction of hearing the title you came up with on NPR throughout the year.
This soon-to-be-titled project will be full of richly layered sound and striking images, created by people around the world who help capture these stories of eccentric, trailblazing women and ground-breaking girls.
Join The Kitchen Sisterhood and help launch this new multimedia collaboration.
WMFU’s Blog posted Loony Tunes for Kooky Times (MP3s), 21 tunes about being loosing it, done by everyone from Dolly Parton to Dinah Washington, Screaming Jay Hawkins to The Sensational Alex Harvey. “They’re Coming to Take Me Away Ha-Haaa!” is there, by Napoleon XIV (“I know you laughed. I heard you laugh. You laughed, you laughed and laughed and then you left. But now you know I’m utterly mad.”) As is Lenny Bruce’s “Psychopathia Sexualis.” And these punk and jazz classics:
A Scott Carrier (2006) article in Mother Jones, “Rock the Junta; In Burma, a band of heavy metal Christians speaks of liberty between the lines”:
Burma is a forgotten country. You might have a hard time finding it on a map, and it may not even be called Burma on the map you’re looking at. It might be called Myanmar, as that’s the official name for it now. It’s an extremely fucked-up place, the size of Texas, located between Thailand and India, south of China. For the past 44 years, it’s been cut off from the rest of the world by a junta of xenophobic and superstitious generals calling themselves the State Peace and Development Council. Others call them mendacious assholes and hungry ghosts.
The sounds of a St. Louis Cardinals’ baseball game are combined with the echoes of Scott Joplin’s ragtime and the distinctive calls of Bushy Wushy the Beer Man. This 39-year veteran beer vendor at Busch Stadium, he shares his love for the game, the crowd, and the communal spirit of St. Louis. Commissioned by Continental Harmony, a partnership of America Composers Forum, the National Endowment for the Arts, and the White House Millennium Council. Performed by Equinox Chamber Players, who premiered the work in their hometown of St. Louis.
“National Anthem” (1990 5:01) Gwen Macsai of Re:sound
Our “Home Team” guest host goes to games at her local minor league stadium, in Prince William, Virginia. After hearing the a host of different folk try to sing the Star-Spangled Banner there, she figures she could do better. That’s where the trouble begins.
“Rookie League” (1989 9:41) Barrett Golding
At the Helena Brewers ballpark in Montana, teens and early twenty-somethings get their first, and for most their only, taste of playing of pro baseball.
“Dug-Out” (1993 27:15) Terry Allen
The fictionalized history of two people: a man born in the late 1800s who runs away from home to play baseball, and a woman born in the early 1900s in a half-dugout (a small house partially built into the side of a slope or hill), who grows up to be a piano player and a beautician. Told by Terry Allen, Jo Harvey Allen, and Katie Koontz, with music by Terry Allen. Commissioned in 1993 by New American Radio. (“Radio Memories” self-interview with Terry Allen.)
Hearing Voices from NPR®
The 
A 
The 
Call our NPR Storyline at 202-408-9576 and tell us your story, or the story of someone we need to chronicle. Or email us at 
Join The Kitchen Sisterhood and help launch this new multimedia collaboration.
WMFU’s Blog posted 
.
