This week’s HV cast is for President’s Day-
Excerpts from:
• Calvin Coolidge, Inaugural Address, Wednesday, March 4, 1925.
(No inaugural recording exists of Herbert Hoover.)
• Franklin D. Roosevelt, First Inaugural Address, Saturday, March 4, 1933.
• Harry S. Truman, Inaugural Address, Thursday, January 20, 1949.
• Dwight D. Eisenhower, First Inaugural Address, Tuesday, January 20, 1953.
• John F. Kennedy, Inaugural Address, Friday, January 20, 1961.
• Lyndon B. Johnson, Inaugural Address, Wednesday, January 20, 1965.
• Richard M. Nixon, Second Inaugural Address, Saturday, January 20, 1973.
• Gerald Ford, Remarks On Taking The Oath Of Office, Friday Aug. 9, 1974.
• Jimmy Carter, Inaugural Address, Thursday, January 20, 1977.
• Ronald Reagan, Second Inaugural Address, Monday, January 21, 1985.
• George H. W. Bush, Inaugural Address, Friday, January 20, 1989.
• Bill Clinton, First Inaugural Address, Thursday, January 20, 1993.
• George W. Bush, Inaugural Address, Saturday, January 20, 2001.
A trombone takes fire, ice, wood, and greased steel balls to become a musical instrument. Filmed at the S.E. Shires company, from Discovery’s Science Channel series, “How It’s Made – Trombones:”
The Public Radio Exchange has long been an audio indie’s direct conduit to station airwaves. Hundreds of stations have bought thousands of pieces for local broadcast. Now PRX provides the same possibility, for national distributors like Audible and us, Hearing Voices: “New Ways To Distribute Your Work on PRX.”
HV has already purchased about a dozen pieces from producers via PRX’s new distro deal. If you’re a producer who wants us to hear your work: join PRX, upload audio, and send us your URL.
It’s the anniversary of some massacre, that much I know, that much is comforting. It’s another invented holiday to remind me of what’s missing. They all do, they hurt. My romantic dinner is a slice of pizza, the only smile tonight, the crust, big nose, it’s all in the geometry, you see it right? A bachelor’s bite. The pizza place doesn’t smell like pizza, but that’s neither here nor there.
I fell in love tonight. She was shopping for glue, I was shopping for a juicer. Wanted the manual squeeze ones, but they only have an electric one, suspiciously cheap, in five languages, from a country I’ve never been, from a people whose language I’ll never speak, neither here nor there. I’m in a country where 9:30 at night, on Valentine’s day, I can buy a slice of pizza and an electric juicer. More…
The people who master music CDs have gone compression crazy, sez this Rolling Stone article “The Death of High Fidelity.” In this “loudness war,” fought for the ears of radio listeners, their sonic weapons maximize a constant volume by boosting the softer sections, clipping the peaks, and squishing the dynamics,. What’s left is a flatline of loud, like the soundwave to the right (of an Arctic Monkeys song).
Been using the FR-2 Field Memory Recorder for a few months now. Really like the sound of the mic pre-amps, and the internal phantom power also seems to drive my mic-of-choice well (ShureVP-88 Stereo Condenser). Net result is a noticeably cleaner sound, especially compared to the consumer mini-dat ‘chines I’d been using as back-up and on bike trips.
It’s about the size of a thick hardcover book; bigger than I thot — funny how even tho I read the specs, 206 x 132x 57 mm (8.1 x 5.2 x 2.2 inches), my desire for a small machine still made me think this thing would be more compact. Also it has internal stereo mics and speaker, neither features I wanted. But it is light, has a speedy USB2.0 post, and other flash-recorders had more serious probs for me.*
One tragic flaw: The Fostex back battery case cover is a pain-in-ass and doomed to bust someday; cuz the batteries have to be placed just right or they stick out and keep cover from closing properly.
So it’s a fine machine, sounds great, is rugged (except battery cover). But: I paid $500 for my Fostex, and it’s now $600; so at that price the Oade Bros Marantz 660 mod may be the better deal.
Here’s some recordings, the first with the VP88 of some close relatives, currently incarcerated, “Cognitive Evo Group, Univ of LA- External Mic”
(0:34 mp3):
Continuing the incarceration theme, when internationally known producer Scott Carrier came to visit, it wasn’t long before I was off to the cop-shop to bail Scott outta jail. So I brought my recorder along and taped his coerced confession, using the internal stereo mics. The Fostex was just sitting on the truck seat and picked up pretty well, “Car Talk- Internal mics” (0:30 mp3):
And again with the internal mics, here’s the gate thru which we later DID NOT trespass, when the criminal returned to the scene of the crime, “Gate Swing- Internal mics” (0:32 mp3):
Scott sez he’s learned his lesson. We at HV remain skeptical, having heard this declaration from him before.
*My probs w/ other $400-600 recorders: The Zoom H4 is a piece of plastic shit, w/ no vol dial– just a switch w/ three level presets (haven’t seen H2 yet). The M-Audio Microtrack only has an internal battery, which rules it out for long road trips w/o frequent AC, especially on bikes. Edirol R-09 is hissy; as is, the outta-box non-Oade Marantz 660 (see: Transom review).
ZBS Productions new series is 2 Minute Film Noir, “stories about gangsters, bimbos, cons, cops, lovers, losers, platinum blondes, mink coats, high heels, and neon signs reflecting on rain-slicked streets.”
It’s radio dramedy at its finest, and they’ve allowed us to sneak prevu the series right here. So, ladies and gentleman, butter your popcorn, grab your dates, and head into the audio theatre. It’s time for the 2MFN world premiere, with “You’re In For It Now, Pal” (1:30):
And here’s the gorgeous series poster (illustration by Jaye Oliver):
Over 200 Improv Everywhere Agents froze in place at the exact same second for five minutes in the Main Concourse of Grand Central Station. Over 500,000 people rush through Grand Central every day, but today, things slowed down just a bit as commuters and tourists alike stopped to notice what was happening around them.
Pix, video and blog at Improv Everywhere; their slogan: “We Cause Scenes.”
Seattle’s The Stranger columnist Dan Savage on yesterday’s democracy inaction– I mean, in action: “The Cloverfield Caucus:”
Maybe the caucus system works—when precincts have at most 10 people in them and no one gives a fuck about the election. But it’s total pandemonium right now at Stevens Elementary… The gym resembles the Brooklyn Bridge scene in Cloverfield—only without the promise of giant, derivative monster showing up to put Capitol Hill caucus-goers out of our misery. And instead of bloodied hipsters asking each other “What the hell is that?†over and over again, it’s roughly 1500 people wearing tasteful scarfs asking each other, “Where the hell is the line for my precinct table?â€
As some of you already know, I’ve signed a contract with Riverbend Press (formerly Falcon Press in Helena) to concoct material for a ‘cliche-a-day’ desk calendar. It will be published in October: 365 synopses of common expressions in the tradition of the ‘word-a-day’ calendars that verbivores enjoy.
The publisher just sent me a draft page of the calendar [below], and I am quite inspired by it. I have to share it with you, in hopes that you will send me cliche suggestions, and to simply show it off!
So for the next several months, I’ll have my geeky head buried in dictionaries large and small, tracing the stories behind a year’s worth of cliches.
So submit those cliches to Chrysti, and tell her HV sent ya.
Way back in WFMU’s blog is an album that continues to dazzle me, Yann Tomita’s Doopee Time. Sez Station Manager Ken:
Here’s a strange and wonderful record called Doopee Time by the Japanese composer and experimentalist Yann Tomita. Trying to describe this record (or Tomita) is difficult – part muzak, part dada comedy, part I Dream of Jeannie, with a running commentary by The Doopees, two Japanese doll women named Suzie and Caroline.
All the Doopeemp3s are up at WFMU; here’s a few of my faves:
StoryCorps cuts yet another devastating slice of real-life this week, “Hector Black remembers the murder of his daughter, Patricia Nuckles, by an intruder in her home.” (3:00):
At least monthly friends and I are tromping trails in the Lee Metcalf Wilderness. But I never knew much about its namesake, ‘cept he was once Montana’s US Senator — until now.
Turns out our spectacular wilderness area was well-named. Lee Metcalf’s legislative life is detailed in this Center for the Rocky Mountain West essay by Pat Williams (another fmr US congressman): “Montana’s Metcalf blazed his own trail.”
After Metcalf’s US Army service, including the Normandy invasion and the Battle of the Bulge, he helped design the first free elections in Germany. He introduced Medicare ten years before its passage. The Elementary and Secondary Education Act was originally the Murray-Metcalf Bill. The Peace Corps passed Congress under the leadership of Metcalf and Mike Mansfield — another amazing Montana Senator. Sez Williams:
“However, it was as a conservationist — environmentalist — that Metcalf made seminal change for the West and the nation.… From the initial Wilderness Act to landscape restoration, pesticide control to fish and wildlife refuges, Lee Metcalf moved doggedly and with success to preserve the best of the West and in doing so he not only created a whole body of conservation laws for the nation, but he also changed the way we envisioned ourselves on the land.”
Here’s Lava Lake in the Lee Metcalf Wilderness, site of a 2004 Hearing Voices high-level meeting (elevation 7106 feet):
Photo: Sam Gardner – USDA Forest Service, Aug 13, 2005 Gallatin National Forest
In The Observer, Simon Napier-Bell, manager of bands from the Yardbirds to Wham!, details a history of adversarial relationships between musicians and their record labels: “The life and crimes of the music biz:”
‘Systematic thievery,’ said the Dixie Chicks in their writ against Sony. ‘Intentionally fraudulent,’ claimed US music lawyer Don Engel.
For a personal glimpse into the CC process, Bob and Kathy Olkowski’s daughter Lu documented their transformation into insects, from Studio 360 “Bee-ing There” (7:36 mp3):
Another stellar StoryCorps, sisters Janaki Symon and Melissa Wilbur discuss their hate-to-love relationship. “I never particularly liked you…†(1:52):
For Black History Month here’s Rev Dr MLK, Jr, backed with a music mix by rx, one of the best pol cut-up artists out there. “MLK (rise again)” (9:57 mp3):
rx seems also to be a Mike Gravel supporter. Here’s one of his videos, “power to the people vs give peace a chance:”
This week’s HV cast is for President’s Day-
The Public Radio Exchange has long been an audio indie’s direct conduit to station airwaves. Hundreds of stations have bought thousands of pieces for local broadcast. Now PRX provides the same possibility, for national distributors like Audible and us, Hearing Voices: “
The people who master music CDs have gone compression crazy, sez this Rolling Stone article “
Continuing the incarceration theme, when internationally known producer Scott Carrier came to visit, it wasn’t long before I was off to the cop-shop to bail Scott outta jail. So I brought my recorder along and taped his coerced confession, using the internal stereo mics. The Fostex was just sitting on the truck seat and picked up pretty well, “Car Talk- Internal mics” (0:30 
Scott sez he’s learned his lesson. We at HV remain skeptical, having heard this declaration from him before.
Way back in WFMU’s blog is an album that continues to dazzle me, 
At least monthly friends and I are tromping trails in the 
Another stellar StoryCorps, sisters