Took the new all-in-one HHB Flash Mic/Recorder (US$1K street) for a literal spin. Wrapped it in a Rycote full-ball wind-sock (that I use for my Shure VP-88), stuffed it inside the chest pocket of a shell-jacket (in above mic it’s that tribble sticking outta my torso), then pedaled about 30-miles, recording and babbling into it much of the way.
The HHB is a good-sounding microphone with a high-quality digital recorder built right into the mic tube. It’s a mono omni dynamic mic. I rarely use dynamics cuz they just don’t sound as good as condensers (which have wider frequency response and greater signal level = better basses and highs = crispness and presence). But for a dynamic the HHB sounds pert-dern decent. Here’s a mic-ing-while-biking clip:
You can hear it’s pretty good with handling and wind-noise (at least w/ sock on). You can see the mic-to-mouth distance in above pic and hear it’s picking up my voice and road sounds rather well.
Ease-of-use is where this thing really shines. It’s gotta 1GB flash memory card (non-removable) built in, which gives you 3+ hours of recordings (at 44.1KHz, 16bit mono .wav). If it’s on it’s in record-monitor mode. One-button starts the recording, and there’s a pre-record buffer that writes-to-disk the up-to-10sec. of audio before you hit record.
Batteries (2 AAs), which weren’t fresh when I statrted, lasted 4+hours. The headphone amp powered my Etymonic buds well — no trouble monitoring. The thing is really light-weight, but the mic housing and buttons feel rugged. The level meter screen is small but usable. The LCD display is quite readable, even in fairly strong outdoor-light, with usable indicaters of mic-lvel and battery-life. The bottom button/dial on the bottom turns it on and controls all the levels and myriad menu commands, which is a bit tedious; but if you set most everything before you go out it isn’t a prob. There’s a mini-USB jack (digi-camera style) on the bottom for uploading your soundfiles via computer. Didn’t use the filters (high & lo pass) or auto-level controls, so don’t know nada about how they perform.
In sum, this thing performed admirably in this difficult-to-record situation. So considering the parameters: an all-in-one light, rugged mic/recorder that sounds good, is simple to use, stores lotsa audio , and runs a long time on a set of batteries, HHB has done a really nice job. But as with all HHB products, you pay for their high-quality and innovation: the HHB Flash Mic’s about US$1K (street).
Cred: Borrowed the mic from Atlantic Public Media. Recording was for the new series Stories from the Heart of the Land. Thanks to Emily Botein for clip selection.
Barrett,
yep, it sounded pretty good. You’ve aged in the 10 years or more since I’ve seen you – I of course haven’t. (right)
Anyway, I thought that the flash mike sounded pretty good. I wonder how it would compare to one of those crazy flash recorders with the mics on top – like the edirol (sp?) or the new roland.
Just a question.
Milt
Milt,
You gotta point; never thot of that. The stereo electret condenser mics that come w/ the Zoom H4 and Edirol R-09 are s’posed to be good. Maybe not as easy as the HHB but better in numerous other ways. See: Transom’s: Portable Digital Recorder Comparison.
[…] series Stories from the Heart of the Land, adapting his bicycle to my much-smaller height so I can mic-while-biking for said series, polishing production w/ Viki Merrick of the new HV special “Father […]
[…] Voices producer Barrett Golding gave one a spin as well, and got good results. He blogged about it here: and the final results can be heard […]
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