In 1945, Willie McGee was accused of raping a white woman. The all-white jury took less than three minutes to find him guilty and McGee was sentenced to death. Over the next six years, the case went through three trials and sparked international protests and appeals from Albert Einstein, William Faulkner, Paul Robeson, and Josephine Baker. McGee was defended by a young Bella Abzug arguing her first major case. But in 1951, McGee was put to death in Mississippi’s traveling electric chair. His execution was broadcast live by a local radio station. Today, a newly discovered recording of that broadcast provides a chilling window into a lost episode of civil rights history. Narrated by granddaughter Bridgette McGee, this documentary follows a her search for the truth about a case that has been called a real-life To Kill A Mockingbird.
—Radio Diaries
Author Laura Munson posted this ode to “Techies” on her These Here Hills blog, sending out lit love to we fader-jockeys & freq-benders who eng the on-air audio industry:
Those behind-the-scenes souls who fly low under the radar and like it that way. Designing sets, lighting stages, filming show offs, minding their soundboards. I loved them in high school, and in college, and now I’m loving them all over again in radio stations as I travel around doing interviews.
Techies are a special breed. I think it has something to do with so long ago giving up on the thought of being “cool.†And because of that, to me they define “cool.†They possess a particular brand of freedom. Often, they have what they call “radio faces.†And they say it smiling, because they know that traditional good looks can be as much a “curse†as a “blessing.†These are people who wear Coke-bottle glasses rather than bothering with contacts, and have un-fussed-over hair, big noses, skyline teeth. These are people with huge smiles and vast minds. Who have maybe spent less time looking in the mirror trying to change what they see, and more time with books, or listening to current events, or sitting on old couches in Green Rooms discussing the state of Humankind…
—Laura Munson, “Techies,” THESE HERE HILLS
Reprinted by permission from the (private) AIRdaily:
Today is the 39th Anniversary of the first All Things Considered. The first program included a documentary of the largest anti-war demonstration in history (wikipedia). The demonstrators filled the roads, blocked the bridges and stalled the morning commuter traffic, all in an effort to shut down the government. The demonstrators were met with 10,000 federal troops, 5,000 D.C. police and 2,000 National Guard. By the end of the day, over 6,000 had been arrested, the largest mass arrest in U.S. history.
Reporters fanned out, from the Pentagon to the Mall, recording multiple perspectives of the events as they happened. I directed the program that first day, and we hustled to edit the multitude of voices into a cohesive documentary for the 5:00 ET start time.
What followed was an extraordinary 24-minute, sound portrait of the events as they happened, with the voices of protesters, police and office workers above the sirens and chopping of helicopters. Yes, there were flaws, and yet it stands as probably the best sound record of that historic day.
It also was a strong statement of the intention of NPR to get out of the studio, to use sound to effectively tell stories.
—Bill Siemering
Bill Siemering is Prez of Developing Radio Partners, NPR’s first Program Director, and author of their original 1971 mission statement National Public Radio: Purposes. You can hear that seminal DC Demonstrations report at NPR and in our HV hour of Protest. The piece still stands as both a valuable historical document and an example of what radio news can be.
“Today in the nation’s capital, it is a crime to be young and have long hair…”
—Jeff Kamen, NPR Reporter
Joshua Littman, a 12-year-old boy with Asperger’s syndrome, interviews his mother, Sarah. Joshua’s unique questions and Sarah’s loving, unguarded answers reveal a beautiful relationship that reminds us of the best—and the most challenging—parts of being a parent.
Google let’s you easily make-your-own Search Story — like their “Find a French Babe” 60sec Superbowl ad — with a Search Story Video Creator. So we gave it a go…
Surveying the sonic spectrum of musicians warming up for a performance. We hear old-time singer Abigail Washburn, concert pianist Lang Lang, Brazilian singer Flora Purim, mezzo-soprano Cecilia Bartoli, Tuvan rocker Albert Kuvezin, singer songwriters Gillian Welch and Dar Williams, bel canto tenor Lawrence Brownlee, and cellist Yo-Yo Ma. Montage by David Schulman
One of the world’s great operatic singers explores what it means to approach the human voice as an instrument — like a trumpet or violin, produced by David Schulman.
“Negativland: Interview” (14:35) John Rieger
The cutup artists, Negativland, chew up and spit out the media, turning their NPR interview into audio art; accompanied with excerpts from their 1987 Escape from Noise.
TAL crossed the 400th episode line with an hour of “Stories Pitched by Our Parents.” Among them was one Nancy Updike did with her dad about the Erie Canal, featuring this addictive original ditty she co-writ w/ musician Dave Hill:
The clerics at the Jumeirah Mosque in the United Arab Emirate of Dubai are opening their doors to tourists. To help demystify Islam, visitors learn the basics of the religion with a guide.
Recently, as part of the US draw-down in Iraq, the US base in Tikrit, “JCC” or Joint Coordination Center, was handed back to the Iraqis. Sergeant First Class George Havel, a soldier with 232 Regiment spent four months in Tikrit, helping to coordinate emergency services. Sargeant Havel gave journalist Jake Warga a tour of Mahmoon Palace, originally built to celebrate Saddam Hussein’s birthdays. US forces had been occupying the palace up until the recent hand-over, living in its marbled halls under golden chandeliers.
(An aggregation of blogs is known as a “planet“). We also have weekly features of audio, video, and multi-media work. And there’s a place for pubmedia web folk to share code & hacks (a lot re: WordPress). Future plans include merging w/ PublicMediaCamp & PubMediaChat.
A 2-article rundown on distributing pubradio programs, and the $s involved, is published in AIRblast: Part I and Part II. Features lotsa intervus with producers and program directors. Evals who’s buying what for how long and how much. And it’s loaded w/ how-tos, data, and personal perspectives on PRSS and PRX.
Producer Nancy Solomon recently posted her first piece on PRX: “The interface works great; I was pleasantly surprised how easy it was. Their help desk was super helpful and easy to get a hold of. I like the way the page looks; I like the way it’s laid out and the flexibility the format gives you to put both segments and whole pieces up. I was also amazed and pleased at how accessible John Barth was to talk about how best to promote the show.”
So, if a radio piece falls in the PRX forest, will a PD hear the sound? Not always. “Producers putting stuff on PRX is like thousands of crack addicts selling their junk on street corners,” says Charles Lane, producer, WHSU News reporter, and former PRX election curator. “We’re just curious street exhibits with sad eyes hoping programmers might spot our wares, as they race to wherever they’re going.”
But what producers really want to know is: How’s it work? And: How rich will I get?
The final four games were great, but even better was seeing the Prez take on former pro Pacers star Clark Kellog in a game of HORSE, renamed POTUS for this CBS playground matchup. Makes me proud to have a Prez that can talk policy, talk trash, while consistently sinking nada-but-net from 3-point land:
Hearing Voices from NPR®
088 Scene of the Crime: Victims, Cops, and Criminals
Host: Jake Warga of Hearing Voices
Airs week of: 2011-04-13 (Originally: 2010-03-31)
“Weegee interview” (3:04 excerpt) Mary Margaret McBride
An archival interview with 1950s NYC crime scene photographer, Arthur Fellig (1899-1968), aka, Weegee. SoundPortraits has more of this July 1945 interview by nationally-syndicated talk show host Mary Margaret McBride (WEAF-New York City). (Music: “Angel of Solitude” by Alias.)
Casey (no first name ever revealed) was crime photographer for the fictional Morning Express newspaper. He and reporter Ann Williams snapped shots, tracked criminals, and solved crimes. This excerpt from episode 330 (of a total 431) of the popular half-hour mystery-adventure series aired 1950-03-02.
A short clip from the third episode (1948-10-10) of this NBC show, starring Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler.
The This American Life producer spends a couple days riding around L.A. with the professional “Crime Scene Cleaners, specializing in homocides, suicides, and accidental deaths.”
Made up of coral reefs that surrounded the flanks of a volcano that has since become inactive and submerged. Like many tropical atolls, Atafu is very low lying and vulnerable to sea-level rise. This photograph was taken by astronauts aboard the International Space Station in January.
Galapagos Islands, Pacific Ocean
…are the tops of volcanoes on the sea floor off the coast of South America along the equator. This image was taken by the Landsat 7 satellite in 2001.
A new sound symphony by Jana Winderen artist/recordist is out on Touch Music. She calls her album Energy Field. Here’s a sample (5:20):
Armed with four 8011 DPA hydrophones, DPA 4060 omni mics, a Telinga parabolic reflector mic and and a Sound Devices 744T digital hard disk recorder, Jana Winderen studies and records wild places which have a particular importance in our understanding of the complexity and fragility of marine ecosystems.
The recordings were made on field trips to the Barents Sea (north of Norway and Russia), Greenland and Norway, deep in crevasses of glaciers, in fjords and in the open ocean. These elements are then edited and layered into a powerful descriptive soundscape. The open spaces of Greenland, northern winds, ravens and dogs in an icy landscape provide the setting for these haunting but dynamic pieces. Sounds of crustaceans, fish such as cod, haddock, herring and pollock recorded as they are hunting, calling for a mate or orientating themselves in their environment, are all included in the mix.
From her artist statement:
I have been occupied with finding sounds from unseen sources of sound, like blind field recordings. Over the last three years I have collected recordings made by hydrophones, from rivers, shores and the ocean, and more recently also from glaciers in Greenland, Iceland and Norway. In the depths of the oceans there are invisible but audible soundscapes, about which we are largely ignorant, even if the oceans cover 70% of our planet.