Sure Facebook sux. But it has its moments; and many of them are found on Joe Frank’s page, amongst his semi-regular deliciously dark ramblings:
Flying over the Tanganyika Game Reserve in a hot air balloon. My guide is a drunken Englishman from the old colonial school dressed entirely in white. He has a flask of port strapped to his leg. His nose is red and veined. We travel over a savannah, observing herds of wildebeests and zebras below.
hen the colonel removes his clothes and throws them over the side of the basket. He claims the natives collect them and use them to make flags and scarves, which they sell to the tourists.
Dancing in the streets of Rio in a samba club, making our way up Sugar Loaf Mountain to ascend to the statue of Christ that looks over the city. I feel a sense of exhilaration, my heart bursting with joy. I’m wearing a fantastic feathered woman’s mask, eyeballs on stalks, ears on springs, Pinocchio nose supporting a live tree limb filled with songbirds, and joyously dancing in high heeled platform shoes and net stockings, gyrating my hips, a pair of soccer balls attached to my rear…»
Be his FB-fren and read the rest of this, and many other of his flights of freaky.
The first all-girl radio station in the nation, WHER-Memphis, went on-air in 1955. It was the brainchild of sound legend Sam Phillips, who created the groundbreaking format with money he raised from selling Elvis Presley’s Sun Studios contract. Women almost exclusively ran the station. They read the news, interviewed local celebrities, and spun popular records. They sold and produced commercials, directed and engineered programming, and sat at the station’s control boards.
NPR’s Susan Stamberg hosts this one hour special on WHER, produced for the Kitchen Sisters’ series Lost and Found Sound. Mixed by Jim McKee of Earwax.
Iraq War vet Army Spc Marc Hall has been in Georgia county jails since December 12 2009 for producing a hip-hop song about “stoploss.” The Army’s claims the music “communicated a threat.” On Friday night March 1, the soldier was removed from jail, placed on a military flight, and flown back to Iraq.
Hall had planned to leave the Army when his contract expired this year, but the Army issued a stop-loss order preventing Hall’s separation. Hall recorded the song “Stop-loss” and mailed it to the Pentagon.
Reality Radio celebrates today’s best audio documentary work by bringing together some of the most influential and innovative practitioners.
Contributors [include]: Jay Allison, damali ayo, Emily Botein, Chris Brookes, Scott Carrier, Katie Davis, Ira Glass, The Kitchen Sisters, Maria Martin, Karen Michel, Rick Moody, Joe Richman, Dmae Roberts, Stephen Smith, Sandy Tolan.
Publisher UNC Press offers this Q & A w/ the book’s editor John Biewen.
Something beautiful, haunting and appropriate about Jack Warga’s photo exhibit “Leaving Iraq:”
Jake was embedded with the 3rd Infantry Division, US Army. He snapped several dozen back-of-head portraits before he left. More Iraq images and audio in Jake’s Iraq Xmas 2009HV posts.
The [Un]Observed is a new Radio Magazine whose stories cross genres, countries and societal subjects.
Try “The Trouble With Rick” by Aussie “media practitioner” Kyla Brettle. She calls her piece a “radiophonic exploration and impressionistic interpretation of how the world spoke to Rick.” May sound pretentious, but is a pretty good description of the way she paints her audio portrait:
Walking into a noisy restaurant, Rick Tarulli felt inundated by a barrage of sound — the effect of which was so overwhelming that it made him lose his balance. Every conversation in the room shouted at him, the scrape of knives on plates made his vision jump and he could clearly discern the hum of the fridge out back. Rick knew there was something going wrong inside but couldn’t work it out. Neither could his doctors. Three years ago Rick discovered his symptoms were caused by superior canal dehiscence syndrome, a recently diagnosed condition that affects the inner ear.
Other contributors include HV frens Aaron Ximm (aka, quiet american; “Guatanamo Express“, Jonathan Mitchell (“Eye Contact“), and, ‘course, AnnKara: those females at the forefront of every forward facing futuristic audio feature.
Interested in contributing? Contact them; their ears are wide open:
What we’re looking for [is] innovative, engaging and dynamic use of sound as a medium to tell a story. That story can be about a wide range of things, and can be as long or short as the producer would like. The main guideline is in the execution. One of the goals of The [Un]Observed is to move away from traditional, act/track, radio pieces to something where the medium of sound is explored and expanded. The magazine hopes to be a playground of sorts for radio and audio producers to present work they are excited about and proud of. Beyond that, we hope to create an international space where sound makers from all different parts of the world can come together.
Hearing Voices from NPR®
085 Protest: At the National Mall & Town Halls
Host: Barrett Golding of Hearing Voices
Airs week of: 2011-03-23 (Originally: 2010-02-24)
Protest may be new to some parts of the world, but in America, complaining about the government is a national pastime. We hear protest music and mashups; we go to protest marches, from Vietnam War era actions on the National Mall, to modern-day Tea Parties and Town Halls:
“Town Halls 2009” (2:05) Barrett Golding
Protest used to be mainly for the young and left-leaning, but recently older right-wingers have joined the party — the Tea Party. When Congressmen went home in 2009, this is what they heard from constituents. Music: Jeff Arntsen, mix: Robin Wise, audio: excerpted from YouTube videos.
The popular Burmese rock band Iron Cross is using music to challenge the nation’s infamously repressive regime. In the great tradition of rock and roll, Iron Cross is taking on Burma’s military government with song.
Wes ‘Scoop’ Nisker tried to transform what news can be, blurring the lines of communication between newscast and sonic-collage. His reports aired on KSAN, the wildly popular commercial station, in the 1970s.
Selected casts were later compiled as “A Decade In your Ear” by New American Radio, and are now posted at Scoop’s site. This underground classic “helped define and express the counter-culture of that era. You will hear the voices of presidents, people in the streets, and the Swami from Miami.”
Tomorrow night (Sat Feb 20 8p) Union Docs premeires a DocumentaryFortnight at MoMA- NYC, hosted by Kara Oehler of HV and MapMainSt:
This is a year-long program for non-fiction media research and group production brings together 12 media artists (including Tina and Shawn) from diverse backgrounds (film, radio, poetry, architecture, performance, photography) to collaboratively create new works. This Saturday, we’ll be screening and performing pieces from our most recent collaborative project – the exploration of myths and mythology in documentary. Partly inspired by Roland Barthes classic Mythologies, a slim volume from 1957 composed of many short but revelatory essays, this ongoing multi-media project seeks to interrogate some of the myths that underlie everyday life.
Following the MoMA presentation, we will head over to The Space in Long Island City for our official benefit after party. Join us for drinks and music, featuring the legendary New York City brass ensemble the Hungry March Band and surprise DJ’s. $7 suggested donation, 10:30pm – until?
(46-01 5th Street at Vernon Ave, LIC. Take the E and V to the 23rd Street Ely Avenue stop.)
Hearing Voices from NPR®
084 Place Your Bets: What Happens in Vegas
Host: Alex Chadwick of Conservation Sound
Airs week of: 2011-01-26 (Originally: 2010-02-17)
A classical composition, in three parts, for strings, winds, and an interview with Tom Martinet, who trained to be a priest, but, instead, started working Nevada dice tables. Premiered 1997 in Vegas, performed by Sierra Wind Quintet. Re-released on PKB’s 2006 Larkin Gifford’s Harmonica.
“Poker at the Ox” (9:54) Alex Chadwick
An NPR hosts pits his wits against the regulars at a downtown small-town casino. Guess who wins. Produced by Carolyn Jensen; sound engineer by Michael Schweppe.
“Old Gambler” (7:07) Joe Frank
An excerpt from Joe’s hour “Zen” in his series The Other Side. What happened in Vegas… definitely didn’t stay in Vegas. Getting on the wrong side of Sin City’s collection crew.
“Bass Keno” (8:18)
Jazz bassist Kelly Roberti (David Murray Quintet) lost his bass to the keno machines. He kicked the habit; the scars remain, but the bass is back. Kelly was a 2010 Governor’s Arts Awards winner.
“Lock It Up” (5:56) John Ridley
A radio drama written for Ridley’s 2001 LA Series on NPR Morning Edition. Performers are Bob Wisdom, Yang Chee, and Jim Wallace (script).
Above photo of the Las Vegas sign by Kcferret, June 2005.
A film by Danfung Dennis embedded in Afghanistan with US Marine’s Echo Companyas they were dropped behind enemy lines to seize a key bridge. “Battle for Hearts and Minds“:
On July 2nd, 2009, four thousand US Marines of the 2nd Marine Expeditionary Brigade launched a major helicopter assault into a Taliban stronghold in the Helmand River Valley in southern Afghanistan in order to break a military stalemate reached with the Taliban.
President Johnson signs the Public Broadcasting Act, November 7, 1967
The Public Broadcasting Act of 1967 established the Corporation for Public Broadcasting. “Independent producers” and “independent production” are mentioned sixteen times, including, “a substantial amount shall be distributed to independent producers and production entities…”
Some of my other favorite phrases:
The Congress hereby finds and declares that —
It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes;
Expansion and development of public telecommunications and of diversity of its programming depend on freedom, imagination, and initiative on both local and national levels;
It is in the public interest to encourage the development of programming that involves creative risks and that addresses the needs of unserved and underserved audiences, particularly children and minorities;
The Corporation is authorized to —
Facilitate the full development of public telecommunications in which programs of high quality, diversity, creativity, excellence, and innovation.
—Public Broadcasting Act of 1967, as amended
Google economist Hal Varian on the economists of news:
Newspaper circulation has been in decline since 1990, “well before the Internet,” Varian noted, while newspaper circulation crossed against the nation’s population has been declining since 1960; and circulation per household has been dropping since — wait for it — 1945. You can’t blame the Web for that.
Still: “Americans still spend much more time with print newspapers than they do with news online.”
Google news access goes up during the day, down in the evening, and way, way down over the weekend… “What that says to me is that reading the news online is a worktime activity. Most people aren’t paid to sit at a computer and read newspapers. They’re snatching things throughout the day,” Varian said.
People who click on a news article or a video at work as a distraction from other tasks aren’t going to want to pay for it. People are willing to pay for newspapers not because they’re used to paying, according to Varian, but because “It’s a much nicer experience to sit there with a newspaper and a cup of coffee and have that be your leisure time activity.”
“Ball†by Ries Straver is “at first glance a simple study of tension and expectations but the foreboding characteristics of the girl elevate it to a level of auspicious uneasiness”:
I read these things so you don’t have to: a 30-page essay, “IP Radio – A vision of radio in the Internet age” (Jan09 pdf), by Pierre Bellanger, CEO of Skyrock, the French radio & popular social net. Within are history and prognostications on all things digi-radio-future, but few new perspectives (“Radio, like the written press, the music industry and television, is changing”, etc.).
Did find a few entertaining morsels, like this (pg11) on the singularity and un-CG-ability of the human voice:
Just as a penguin can recognise another among thousands, since time immemorial we have been able to discern a wealth of incredible nuances and emotions in the human voice. We owe our survival to our brain’s ability to decipher the details of the voice, further heightening the effect of visual absence.
Pixar’s digital masterpieces such as Toy Story or Ratatouille reproduce the most complex visual experiences like wet fur or the shine of bodywork with a computer, while the characters express their emotions as well as human actors. Despite these wonders, for the voices the studio uses actors, such as Tom Hanks or Paul Newman. A voice is more complex than an image.
And this historical radio data (pg19) — unsourced, so can’t vouch for validity:
Radio experienced an auspicious period in the United States between 1980 and 2000. In 1995 radio represented a little over 10% of media advertising investments, or $12 billion. Prosperous radio stations generated results equivalent to 30% of their turnover. In 1995 regulations on ownership of several radio stations in the same market were relaxed. This 20 allowed the Clear Channel group to carry out a number of acquisitions; today, it owns about 900 stations with combined revenue of $3.5 billion in 2005.
The Clear Channel policy targeted profitability by standardising and homogenising programmes. Audiences considered risky and insolvent, such as adolescents, were abandoned. Further, morning shows, already attacked by influential puritanical groups and repeated fines from the authorities, were sanitised.
As a result, radio stations were reduced to simply playing lists of tried and tested hits aimed at an audience aged from 25 to 49 and hosted by DJ-robots. These flows were burdened with a maximum of advertising slots. Like a plane whose engine is shut off to save fuel and keeps flying for a few moments, the system seemed to work.
Then it began to show the first signs of weakness at the very moment when the younger generation was seizing the musical offer exploding on the Internet: the number of 18 to 24 year olds listening to the radio has dropped by 20% over the last ten years and 85% of adolescents now find their new music on the Internet.
In 2007 radio’s turnover was $20 billion and still represented about 10% of the media advertising market but it is a decreasing trend. For now, the years of generous cash flow are over.
However, despite everything, according to the Institut Arbitron radio audiences continue to grow (93% of the population listens to 18.5 hours a week on average!) but the length of listening time is dropping.
Finally, this possibility for targeted per-user radio ads based on IP address and other online info (pg24):
The half a million listeners who listen instantly to Difool’s morning show on Skyrock correspond to various characteristics. The same station can attract very different people which is how a large station becomes successful. The addressing process of IP radio means that people listening to the same programme can hear different adverts which correspond to their needs. Such multiple, simultaneous targeting is good news for advertisers which can concentrate their investments on suitable targets, for radio stations which can better serve their clients and are therefore more attractive, and for listeners who will hear adverts which are more relevant to what they are interested in.
IP radio combines radio’s power as a mass media with the advertising precision of the Internet.
How can an IP address be qualified, as it is occasionally random on some machines? Identification of the machine can be reinforced via a small file left on the hard disk (cookies) or through a code entered by the user at the start of the session (login) which identifies the individual. Moreover, the generalised spread of mobile terminals and their use for telecommunications will increase relevance between user and machine. This is currently the case with mobile telephones which are even more individual than PCs.
Even creepier targeted-ads could combine radio w/ the user’s web access data (pg26): “Someone listening to the radio just after looking at an automobile website could hear an ad
hoc advert via the radio.”
Sure Facebook sux. But it has its moments; and many of them are found on Joe Frank’s page, amongst his semi-regular deliciously dark ramblings:
Iraq War vet Army Spc 
A new new book out, 
Walking into a noisy restaurant, Rick Tarulli felt inundated by a barrage of sound — the effect of which was so overwhelming that it made him lose his balance. Every conversation in the room shouted at him, the scrape of knives on plates made his vision jump and he could clearly discern the hum of the fridge out back. Rick knew there was something going wrong inside but couldn’t work it out. Neither could his doctors. Three years ago Rick discovered his symptoms were caused by superior canal dehiscence syndrome, a recently diagnosed condition that affects the inner ear.
Another stellar 
I read these things so you don’t have to: a 30-page essay, “