Among the great oddio-viz coming out of Maker’s Quest is The Corner: 23rd and Union, stories, photos, and phone call-ins about one street intersection “near the geographical center of Seattle.”
KUOW’s Jenny Asarnow directs the project. One of the many fine Corner interviews at the site is with “Aaron Dixon: The Checkmate” (mp3):
Hearing Voices from NPR®
074 Bloody Hell: For Halloween
Host: Tom Lopez of ZBS Productions
Airs week of: 2011-10-26 (Originally: 2009-10-28)
“Bloody Hell” (52:00 mp3):
An hour of horror for All Hallows’ Eve, the first half is bloody, the second goes to hell:
Based on a conversation with Edna Wofford about ESP, dreams and intuition. From the 2003 CD, Mayor of the Tennessee River. Artist David Greenberger of Duplex Planet has been collecting the thoughts, memories and stories from elderly Americans for more than a quarter century.
From birth, a young Native American has been bleeding from his chest. The government keeps him locked in a cell, refusing to heed his uncle’s warnings. A 3D ZBS adaptation of Cherokee writer Craig Strete’s short story from The Bleeding Man and Other Science Fiction Stories.
La Llorona — the weeping woman — is the Mexican equivalent of the bogeyman. The man she loved rejected her, in madness she drowned her children, then herself. Now she roams the night wailing “Aaay, Mis Hijos;” a scary story that keeps children from wandering at night: “La Llorona will get you.”
Gene Moss’s 1964 Beatles parody mixed w/ SFX by MP3J. Full vers at Mashuptown, “I Want to Bite Your Hand”” (2:50 mp3):
From a cassette tap found by The Professor of WFMU (mp3) & TheAudioKitchen.net. A video vers with images added by Kenneth Salt: More…
The Kitchen Sisters Want You: this email today…
Dear Friends,
The Kitchen Sisters are looking for stories and images and videos and writings.
We’re launching a new multimedia series on NPR this January, a listener collaboration in the tradition of Hidden Kitchens, Lost & Found Sound, and The Sonic Memorial Project. This one’s about girls. Girls and the women they become. Stories of coming of age, rituals and rites of passage, secret identities. Of women who crossed a line, broke a trail, changed the tide.
Small everyday stories, dramatic life and death stories. Stories from the middle of the city, to the middle of nowhere.
What women should we know about? What girl’s story should we tell? The famous, the infamous, the unknown, the untold. Women with public lives. Women with secret lives.
Call our NPR Storyline at 202-408-9576 and tell us your story, or the story of someone we need to chronicle. Or email us at kitchen@kitchensisters.org
And here’s The Contest. We want you to help us name this new NPR series. We’ve called it The Secret Life of Girls Around the World, The Scheherazade Project, 1001 Stories, all names we like but can’t go with for one reason or another. So, we turn to you to join our brainstorming sessions. You can call or email us with your suggestions. Whoever picks the title will be featured on our website, get the full line of Kitchen Sisters products and productions, a wild boar dinner with forager, Angelo Garro, and the deep satisfaction of hearing the title you came up with on NPR throughout the year.
This soon-to-be-titled project will be full of richly layered sound and striking images, created by people around the world who help capture these stories of eccentric, trailblazing women and ground-breaking girls.
Join The Kitchen Sisterhood and help launch this new multimedia collaboration.
Many thanks,
Davia & Nikki
Hearing Voices from NPR®
073 Home Team: For World Series Season
Host: Gwen Macsai of WBEZ Re:sound
Airs week of: 2011-10-12 (Originally: 2009-10-21)
“Home Team” (52:00 mp3):
For the weeks of the Conference Championships and World Series, baseball stories from the Public Radio Hall of Fame:
The sounds of a St. Louis Cardinals’ baseball game are combined with the echoes of Scott Joplin’s ragtime and the distinctive calls of Bushy Wushy the Beer Man. This 39-year veteran beer vendor at Busch Stadium, he shares his love for the game, the crowd, and the communal spirit of St. Louis. Commissioned by Continental Harmony, a partnership of America Composers Forum, the National Endowment for the Arts, and the White House Millennium Council. Performed by Equinox Chamber Players, who premiered the work in their hometown of St. Louis.
Our “Home Team” guest host goes to games at her local minor league stadium, in Prince William, Virginia. After hearing the a host of different folk try to sing the Star-Spangled Banner there, she figures she could do better. That’s where the trouble begins.
At the Helena Brewers ballpark in Montana, teens and early twenty-somethings get their first, and for most their only, taste of playing of pro baseball.
The fictionalized history of two people: a man born in the late 1800s who runs away from home to play baseball, and a woman born in the early 1900s in a half-dugout (a small house partially built into the side of a slope or hill), who grows up to be a piano player and a beautician. Told by Terry Allen, Jo Harvey Allen, and Katie Koontz, with music by Terry Allen. Commissioned in 1993 by New American Radio. (“Radio Memories” self-interview with Terry Allen.)
UPDATE: The NPR Road Trip site owner tells us NPR now has their own station-trip tool: NPR: Station Finder.
Found this on the NPR site: NPR Road Trip. It’s a nifty gadget that maps your route and the NPR stations along the way. Mouse over the radio tower icon and you’re presented with call letters, frequency and the approximate broadcast range.
Useful for those who are prone to wandering…
A road trip along historic route 66 in New Mexico, exploring America’s past and present. Tour includes a Santa Fe cooking class, a hot air balloon ride above Albuquerque, Acoma tribal traditions, a mining museum in Grants and a historic hotel in Gallup. Aired on NPR All Things Considered; by producer Jake Warga, “Route 66 Postcard” (8:20 mp3):
David Brynes likes bikes, and has a new book about it, Bicycle Diaires.
His music tour travels with a few folding bikes, and the crew pedals around the world’s towns where they’re playing. Here’s the NPR interview, and book excerpt, “David Byrne’s Wild Wild (Biking) Life” (9:31 mp3):
3am in a Colstrip MT motel, most of the way thru a 6pak of Moose Drool and enjoying the fuq outta Radio Lab’s “After Life” (1:00:26 mp3):
by Jay Kernis 2006-12-19 (Presentation to NPR Stations)
It’s an exciting time to be in public radio — as we all try to figure out how we will become public media.
For more than a year now, under the New Realities banner, the public radio community has been talking about everything from how to use new technology to share stories from the past and present — to creating a new business model to fund public radio — to articulating our mission in a media world that offers so many choices. A new world where the biggest challenge is just getting the attention of the audience.
Here’s one provocative statement from these discussions — a challenge — that really got me thinking:
“NPR has found its distinctive SOUND.
It is now time for NPR to find its true voice.”
–Quote from an NPR reporter (February 2006)
To me, that reporter was saying: it is time for us to discover what we truly want to become.
Because if we fail to do so, audiences will go elsewhere. If we fail to do so, we will be prey to the others who will define us. The others who call us “liberal” or “effete” or “boring.”
The statement by the reporter differentiates between our sound and our voice. I’m going to talk about both for a few moments.
To help us find our true voice, I asked NPR News to make a few what I called “tweaks” — SIX OF THEM actually — most of them involving the issues we’ve been discussing for years. Decades, actually.
First, I told them that when people tune to an NPR program, I want them to hear reports and interviews and essays that inform them, of course, and that ask them to question preconceived notions — but that’s not all.
I want the air to SING. I want programming that carries listeners to new places — intellectually and emotionally; programming that awakens you, that keeps you in your car to hear the ending, and that makes you want to tell a friend about what you heard. That makes you want to tune in again and again. Programming that soars — and sings.
But, the six areas I want us to pay a lot of attention to — right now — are: More…
Sez Radio Lab: “After hearing our about moments of death, filmmaker Will Hoffman went out in search of moments of life. What follows is what he found:
16: Moments
Hearing Voices from NPR®
070 Shortcuts Thru 1969: From the Moon to Woodstock
Host: Peter Bochan of WBAI-FM
Airs week of: 2009-09-09
“Shortcuts Thru 1969 ” (52:00 mp3):
1969, the year in an hour, another in the Shortcuts series by Peter Bochan of All Mixed Up:
From Woodstock to Altamont, Washington to Vietnam, Chappaquidick to Chicago with stops at Stonewall, Hyde Park, Shea Stadium, The Super Bowl, Memphis, Times Square, Sesame Street, and the Moon. Featuring commentary from John Lennon & Yoko Ono, Iggy Pop, the Smothers Brothers, Richard Pryor, Mick Jagger, Keith Richards, Brian Jones, Roman Polanski, Richard Nixon, JFK, Buzz Aldrin, Neil Armstrong, Walter Cronkite, Ted Kennedy, Burgess Meredith, Donald Sutherland, Elliot Gould, Dennis Hopper, Jack Nicholson, Peter Fonda, Dustin Hoffman, Michael Lang, “Topaz Caucasion”, Chip Monck, Dave Marsh, Joe Boyd, Rob Kirkpatrick, Carl Capotorto, Arlo Guthrie, Hugh Romney, Harry Reasoner, Nile Rogers, various FBI and police agents, The Black Panthers, The Weather Underground, The Zodiac Killer, Apollo 11 astronauts and many others.
Music from Hair, Midnight Cowboy, Sly and the Family Stone, The 5th Dimension, Elvis Presley, The Rolling Stones, James Brown, David Bowie, The Who, Les McCann & Eddie Harris, The Beatles, Bob Dylan, Blind Faith, Roy Budd, The Plastic Ono Band, The Jefferson Airplane, Arlo Guthrie, Canned Heat, The Beach Boys, Crosby, Stills, Nash & Young, Joni Mitchell, Beautiful People, Jimi Hendrix, Procol Harum, Henry Mancini and The Stooges! More…
AndreiC interweaves two simultaneous timelines, his and the intertubes, in this Internet History As Tracked By Codrescu : NPR (3:34 mp3 ):
On July 20, 1969, I mourned the last virgin moon, before man landed on it, with some hippies on a beach in Southern California. On Sept. 2, 1969, two computers exchanged meaningless data in the first test of Arpanet, an experimental military network. [transcript]
.
PRX is getting into the digital record-label biz, and their first release on iTunes is by yours truly. The album is called Fragments, the artist is The Wandering Jew, aka, Barrett Golding, aka, me, aka, go buy it fer chrissakes (make that yahweh’s sake).
Hearing Voices from NPR®
069 Pen to Paper: Charles Bowden & Isak Dinesen
Host: Scott Carrier of Hearing Voices
Airs week of: 2010-09-08 (Originally: 2009-08-26)
“Pen to Paper” (52:00 mp3):
Audio essays on authors:
Writer Charles Bowden reports from the US-Mexico border about the drug wars, the poverty, and the environment. His writing is harsh but unflinchingly accurate. Host Scott Carrier portrays Bowden in the words of the people he has written about.
NPR host Susan Stamberg revisits the world of Karen Blixen, aka, Isak Dinesen, when she lived in Kenya and wrote Out of Africa (produced for NPR by Larry Massett; mixed by Barrett Golding.)
Poet and wordshaker Alex Caldiero (The Sonosopher) ponders the writing and sounding of “That One” word, with music by Theta Naught.
Scott Carrier (Communication) and Alex Caldiero (Humanities/Philosophy) are professors at Utah Valley University in Orem. Go Wolverines!
AnnKara have been busy this summer Mapping Main Streets across the country. The first radio part of their project ran this Weekend Edition Saturday on NPR, “Chattanooga, Main St” (10:01 mp3):
Also check MapMainSt’s intro vid:
The band The Gregory Brothers are turning newscasters, pundits and politicians into “unintentional” pop-singers by auto-tuning their spoken voices into sung melodies. Their “Auto-Tune the News” series are videos on YouTube and songs on Amie Street.
Michael and Evan Gregory tell us about artificially (art-officially?) interacting with the media’s talking heads. Aired on PRI Studio 360; by producer Barrett Golding, “Auto-Tuned News (edit)” (6:26 mp3):
S360 was a bit time-constrained, so couldn’t present the whole piece, including the G-Bros series Songified History (free d/l at Amie Street), w/ JFK, MLK, & Churchill. Here’s the full vers…
Hearing Voices from NPR®
068 Jean Shepherd 2: A Voice in the Night
Host: Harry Shearer of Le Show
Airs week of: 2010-07-21 (Originally: 2009-08-19)
“Jean Shepherd 2” (52:00 mp3):
Shep rides again:
The final hour of a two-part tribute to radio raconteur Jean Shepherd. For info or to Comment, see Jean Shepherd, Part 1.
Hearing Voices from NPR®
067 Jean Shepherd 1: A Voice in the Night
Host: Harry Shearer of Le Show
Airs week of: 2010-07-14 (Originally: 2009-08-12)
“Jean Shepherd 1” (52:00 mp3):
Hour one in this two-part tribute to radio raconteur Jean Shepherd:
Jean Shepherd used words like a jazz musician uses notes, winding around a theme, playing with variations, sending fresh self-reflective storylines out into the night. Marshall McLuhan called Shepherd “the first radio novelist.” From 1956-1977 Shep spun his late night stories over WOR radio, New York City. PBS gave him a TV series, “Jean Shepherd’s America.” In 1983 he co-wrote and narrated the film version of his “A Christmas Story.”
Shep inspired a new generation of spoken narrative artists who tap into the American psyche. Among them was Harry Shearer (Le Show), who hosts this two part tribute to Jean Shepherd. Shearer interviews Shep’s co-workers, friends and fans, including Robert Krulwich, Joe Frank, Paul Krassner, and Jules Fieffer.
Thanks to Mr. Shearer, KCRW– Santa Monica (and Sarah Spitz), NPR, and Art Silverman for production support, and for allowing us to re-air this two-hour tribute. This is part one; part two is next week.
One time I woke up at 3 o’clock in the morning. My radio was still on, and a man was talking about how you would try to explain the function of an amusement park to visitors from Venus. It was Jean Shepherd. He was on WOR from midnight to 5:30 every night, mixing childhood reminiscence with contemporary critiques, peppered with such characters as the man who could taste an ice cube and tell you the brand name of the refrigerator it came from and the year of manufacture. Shepherd would orchestrate his colorful tales with music ranging from “The Stars and Stripes Forever” to Bessie Smith singing “Empty Bed Blues.”
–Paul Krassner (from “How the Realist popped America’s cherry“)
The Realist: series of Jean Shepherd essays, Radio Free America, issue #42, #44, #48, #50.
Jean Shepherd – The Great American Fourth of July – PART 1
HV goes on NPR Road Trips, the new 3 CD collection from the NPR Shop. We have two stories on National Park Adventures: Scott’s “Angel’s Landing- Zion” and my “Yellowstone Geyser Guy.
Skye’s “Papua New Guinea: Highlands Celebration” is on NPR Road Trips: Postcards From Around the Globe.
We also have a piece, “The Pledge,” on the older NPR CD, The Declaration in Sound.
Hearing Voices from NPR®
065 Cowboy: Cheyenne Frontier Days
Host: Josh Darsa of NPR
Airs week of: 2010-07-28 (Originally: 2009-07-22)
“Cowboy” (52:00 mp3):
Host Josh Darsa of NPR spends nine days with rodeo riders in a rural Wyoming town:
This 1980 classic radio doc from the NPR archives visits Cheyenne Frontier Days, “The Daddy of ’em All.”
Along the way, Darsa digs into the the history of the “cowboy,” mixing in the experiences of Baylis John Fletcher on an 1879 cattle drive, herding 2000 longhorns from Texas to Wyoming (read by Paul Blakemore from the book Up the trail in ’79.
And underscoring it all is the wild-west symphonies of Aaron Copland.
Josh Darsa wrote and narrated. The technical director and recording engineer was John Widoff, assisted by Miles Smith, Dave Glasser and shop technician Bob Butcher.
“While we were at the rodeo, Josh Darsa wanted to record multiple vantage points of a single scene. For instance, I’d have a Nagra tape recorder on the roof of the grandstand and Miles Smith would have a Nagra in the chutes where the riders would bust out for their ride. Then we would have a free-running Nagra III on the rodeo announcer. We ran them in sync kinda like you would do in video with multiple cameras. This gave us three vantage points. During the show you hear the perspective change through cross fading which is a result of these different but simultaneous perspectives.
There must have been 70 hours or more of tape we shot out there in Cheyenne and every single thing got dubbed. What you heard in the halls of the old NPR were rodeo sounds coming from RC1. Constant horses, bulls, things crashing, just all kinds of things. I think it drove people nuts hearing this stuff up and down the halls.
This was the height of my career at NPR. It was a combination of everything… the music recording, the production sound recording, interviews… every single thing that I had ever done for this company all came together in this show. This was probably how Walt Disney felt when he made Mary Poppins. It was a dream come true for me to build something like this. ‘Cowboy’ is the kind of show you would listen to in a darkened movie theatre. The writing is spectacular.”
–John Widoff, “‘Cowboy,’ a Study in Radio Tale-Telling”
Read the entire interview.
More Josh Darsa at NPR.org: “An Italian Mosaic” (1978) | “Josh Darsa Obituary” by Alex Chadwick (2000)