I read these things so you don’t have to: a 30-page essay, “IP Radio – A vision of radio in the Internet age” (Jan09 pdf), by Pierre Bellanger, CEO of Skyrock, the French radio & popular social net. Within are history and prognostications on all things digi-radio-future, but few new perspectives (“Radio, like the written press, the music industry and television, is changing”, etc.).
Did find a few entertaining morsels, like this (pg11) on the singularity and un-CG-ability of the human voice:
Just as a penguin can recognise another among thousands, since time immemorial we have been able to discern a wealth of incredible nuances and emotions in the human voice. We owe our survival to our brain’s ability to decipher the details of the voice, further heightening the effect of visual absence.
Pixar’s digital masterpieces such as Toy Story or Ratatouille reproduce the most complex visual experiences like wet fur or the shine of bodywork with a computer, while the characters express their emotions as well as human actors. Despite these wonders, for the voices the studio uses actors, such as Tom Hanks or Paul Newman. A voice is more complex than an image.
And this historical radio data (pg19) — unsourced, so can’t vouch for validity:
Radio experienced an auspicious period in the United States between 1980 and 2000. In 1995 radio represented a little over 10% of media advertising investments, or $12 billion. Prosperous radio stations generated results equivalent to 30% of their turnover. In 1995 regulations on ownership of several radio stations in the same market were relaxed. This 20 allowed the Clear Channel group to carry out a number of acquisitions; today, it owns about 900 stations with combined revenue of $3.5 billion in 2005.
The Clear Channel policy targeted profitability by standardising and homogenising programmes. Audiences considered risky and insolvent, such as adolescents, were abandoned. Further, morning shows, already attacked by influential puritanical groups and repeated fines from the authorities, were sanitised.
As a result, radio stations were reduced to simply playing lists of tried and tested hits aimed at an audience aged from 25 to 49 and hosted by DJ-robots. These flows were burdened with a maximum of advertising slots. Like a plane whose engine is shut off to save fuel and keeps flying for a few moments, the system seemed to work.
Then it began to show the first signs of weakness at the very moment when the younger generation was seizing the musical offer exploding on the Internet: the number of 18 to 24 year olds listening to the radio has dropped by 20% over the last ten years and 85% of adolescents now find their new music on the Internet.
In 2007 radio’s turnover was $20 billion and still represented about 10% of the media advertising market but it is a decreasing trend. For now, the years of generous cash flow are over.
However, despite everything, according to the Institut Arbitron radio audiences continue to grow (93% of the population listens to 18.5 hours a week on average!) but the length of listening time is dropping.
Finally, this possibility for targeted per-user radio ads based on IP address and other online info (pg24):
The half a million listeners who listen instantly to Difool’s morning show on Skyrock correspond to various characteristics. The same station can attract very different people which is how a large station becomes successful. The addressing process of IP radio means that people listening to the same programme can hear different adverts which correspond to their needs. Such multiple, simultaneous targeting is good news for advertisers which can concentrate their investments on suitable targets, for radio stations which can better serve their clients and are therefore more attractive, and for listeners who will hear adverts which are more relevant to what they are interested in.
IP radio combines radio’s power as a mass media with the advertising precision of the Internet.
How can an IP address be qualified, as it is occasionally random on some machines? Identification of the machine can be reinforced via a small file left on the hard disk (cookies) or through a code entered by the user at the start of the session (login) which identifies the individual. Moreover, the generalised spread of mobile terminals and their use for telecommunications will increase relevance between user and machine. This is currently the case with mobile telephones which are even more individual than PCs.
Even creepier targeted-ads could combine radio w/ the user’s web access data (pg26): “Someone listening to the radio just after looking at an automobile website could hear an ad
hoc advert via the radio.”
Peace Talks Radio is raffling a “Peace Guitar to help them stay on the air. The instrument is sign by Bonnie Raitt, Lyle Lovett, Roberta Flack, Taj Mahal, Leo Kotke and other musical luminaries.
The final hour in our three hour-long retrospective of this first decade of the century, and the millennium:
Shortcut Thru the 21st Century, Part Three (52:00) Peter Bochan
We survey selected speech, song, and soundbites of the stories and celebs from 2006 thru 2009: Christ’s passion, planetary climate change, presidential contenders, Ponzi schemes, collapsing economies, Tiger, Michael, Sully, Britney, Bush, Obama, foreclosure, bailout, Bradgelina, Miss USA, You Tube, and the continuing decline of western civilization.
Shortcuts are assembled, mixed and mashed by audio wizard Peter Bochan, of All Mixed Up, WBAI-NYC and WPKN-Bridgeport CT. (All three 21C Shortcuts hours are at PRX.)
Part two in this three hour-long retrospective of the first decade, of the century, of the millennium:
Shortcut Thru the 21st Century, Part Two (52:00) Peter Bochan
We survey selected speech, song, and soundbites from 2003 thru 2005; from the invasion of Iraq, to electing a U.S. President, to the flooding of New Orleans.
Shortcuts are assembled, mixed and mashed by audio wizard Peter Bochan, of All Mixed Up, WBAI-NYC and WPKN-Bridgeport CT. Next week, the final part: 2006-2009 (all three at PRX).
The first of a three hour-long retrospective of the first decade, of the century, of the millennium:
Shortcut Thru the 21st Century, Part One (52:00) Peter Bochan
After a quick 2009 intro, we survey selected speech, song, and soundbites from 2000 thru 2002; from the 2000 election and recounts, with Bush, Gore, Bill and Hill, thru 911, Homeland Security, and Afghanistan.
Shortcuts are assembled, mixed and mashed by audio wizard Peter Bochan, of All Mixed Up, WBAI-NYC and WPDK-Bridgeport CT. Next week, part two: 2003-2005 (all three at PRX).
Elvis Presley (born Jan 8 1935 Tupelo, Mississippi; died Aug 16 1977 Memphis, Tennessee), a 75th Birthday Party fit for a King, with fans, friends, religion and rockin’:
Interviews from the Elvis archives, and new ones with Gordon Stoker of The Jordanaires (Elvis’ backup singers) and Elvis friends (aka, Memphis Mafia) Jerry Schilling and Patty Parry. Produced by Paul Chuffo and Joshua Jackson of Joyride Media, for the Sony Elvis 75 project, which has more music and interviews. Also check Joyride’s other Elvis hours: The Early Years, In Memphis, and He Touched Me- Elvis Gospel Music.
Chuck Denault is a Police Officer for the small town of Kittery, Maine. He has two passions;: Serving the community he lives in and being the best possible Elvis Impersonator he can be. In April of 2003 the producer went for a squad car ride-along for some behind the scenes aspects of law enforcement and Elvis.
Christmas wishes from soldiers at U.S. Army Contingency Operating Base Speicher, Northern Iraq: Sgt. First Class Siatuu Quarterman, Sgt. First Class Claudia Bullard, Staff Sgt. Brian Allen, Specialist Nico Kane, Staff Sgt. Robert Lacome, and Simon Welte.
Aired 2009-12-24 on APM Marketplace; by producer Jake Warga, “Iraq: Soldiers’ Wishes” (1:42 mp3):
Sgt. First Class Jodie Manford and the 3rd Infantry Division Band spread some holiday cheer via Chrismas songs, at the U.S. Army Contingency Operating Base Speicher, Northern Iraq.
Aired 2009-12-21 on PRI The World; by producer Jake Warga, “Iraq: Singing Soldier” (2:04 mp3):
The radio program Interfaith Voices has a new series of sacred sonic features called The Soundscapes of Faith. There’s a shofar, shape singers, Sikh hymns, and several more.
Check this Islamic prayer, with elaborations by Akbar Ahmed, chair of Islamic studies at American University (2:34):
One of the most beautiful sounds of Islam is the call to prayer, or adhan. It rings out in many Muslin countries 5 times a day, asking believers to pause their day and remember God.
Chosen for the caliber and impact of their work, these exceptional artists embody our nation’s vast cultural, ethnic, and geographic diversity. Each was awarded an unrestricted grant of $50,000 in recognition of their outstanding creative contributions.
Radio Diaries “celebrates 15 years of stories on public radio. A video retrospective hosted by Ira Glass with animation by James Blagden. Music by The Books”:
Produced by Anayansi Diaz-Cortes and Joe Richman with help from John Wong, Eric Pearse Chavez, Sue Johnson, Sara Pellegrini, Samara Freemark and Kara Oehler.
In the movies, radio is a mythic force: local, rebellious, life-changing. This hardly describes the reality at commercial radio stations today, but it does tell us something about how radio was — and about how we want it to be…
In Pump Up the Volume (1990), Christian Slater played Mark Hunter, a pathologically shy high school junior who morphs into “Happy Harry Hardon” at night, regaling his audience with fake masturbation stunts, Leonard Cohen tunes, and subvert-the-dominant-paradigm monologues.
“You ever get the feeling that everything in America is completely fucked up?” Hunter asks. “You know that feeling, that the whole country is, like, saying, that’s it—forget it!”
His fans agree. They bare their souls in letters sent to the post office box Harry advertises on his station, especially after he reveals that one of his classmates has been expelled for getting pregnant. Listeners send him love notes or disclose that they’re about to commit suicide. When one correspondent actually kills himself, local TV stations blame Harry for the tragedy. A witch hunt ensues. The Federal Communications Commission comes in for the carcass, only to find itself overwhelmed by copycat pirates who heed Harry’s battle cry.
“I’m calling for every kid to seize the air,” Harry pontificates from his jeep-transported radio station. “It belongs to you. Spill your guts out. Say shit and fuck a million times if you want to, but you decide! Talk on!”
Virtuoso Voices has compiled interviewing tips from pubradio personalities Bob Edwards, Susan Stamberg, Kurt Andersen, Lisa Mullins, John Diliberto, Lynn Neary and others. It’s all in a 25-page Interviewing 3.0 pdf (296KB).
David Schulman’s (of MITOW) thots on interviewing “feng shui” are revalations. Below are some excerpts from “Interviewing Performing Artists… and Others: A Practical Guide”…
Think of it as a conversation and not an interview. If you do an interview, it will likely SOUND like an interview. How do you talk to a friend over a beer? First you LISTEN—and you react to what you’ve heard. If someone tells me something really interesting, I’ll simply say, “Really?” or “No!” Those are little words of encouragement that signal the speaker to continue—and to expand on previous remarks. If your guest is truly confusing, try “Huh?”
Indulge yourself. Ask the question you’ve always wanted to ask. “What’s that lyric about?”
Don’t be afraid to ask the hard question. They aren’t your friends and you don’t have to worry that they won’t like you or walk out. Although occasionally they do.
Don’t be afraid to ask the obvious question. I got this from listening to Terry Gross, who, besides being a probing interviewer, also knows where the good stories are and isn’t afraid to query into known terrain, because a good story is still a good story, even if it’s been heard before. Chances are, most people still don’t know it. Then find a different angle on that story.
Drove 1100-miles in 19 hours last Wednesday — MT to NoCal — to be with fam for Thanksgiving. Pubradio kept me company the whole way (‘sides some signal-less spots in ID mtns and NV desert, filled with Joe Frank and TAL podcasts.)
Near NV/CA’s border heading east on I-90, when you crest Donner Pass, a pubradio feast commences. My presets fill up fast. From SF there’s KQED, NPR’s most listened-to station, and Pacifica’s KPFA, home to Negativland’s Over the Edge. One of college radio’s freeform finest is KDVS at U of CA-Davis. And community station KVMR-Nevada City CA manages to be hyperlocal yet always entertaining to this outta-towner.
While speeding downhill thru the Sierras, I caught KVMR’s eve news. It ended with a discussion about oak trees: one scientist/radio-announcer/educator talking to another scientist/author. I felt privileged to listen into their conversation. Their tree talk wasn’t dull or dumbed-down; it was comprehensible and comprehensive. An unexpected, imaginative use of radio, doncha think?:
Al Stahler’s Soundings: On Oaks
The oak is one of the signature trees of the Sierran Foothills. Al Stahler spoke with Glen Keator, author of The Life of an Oak: An Intimate Portrait (22:12 mp3):
It is with a mixture of sadness and relief I announce the passing of my Grandmother: Alma J. Kelsey (Warga, Smith).
Born in Lincoln, Nebraska on July 4th, 1910, she passed away this weekend, 99 years later.
Alma was the oldest of seven siblings but the last to depart. She is survived by myself and her son Robin.
In 1928, at the age of 17, Alma Smith eloped with Wayne Warga, 19, and headed West for Hollywood to start a new life and a family. The family was harder to come-by for her husband was not medically able: but in 1938 she bore my father, Wayne (Bud), after a secret affair with an LAPD officer. Then in 1949 she met another man to have another child: Robin. She wanted a family so bad and bore the weight of her secrets until she started AA and revealed all.
In the 1970’s she met and married Dick Kelsey, painter and animator. They moved to Leisure Village in Camarillo where her Lilly Garden won village awards year after year. She stayed by Dick through his Alzheimer’s and eventual death.
In 1985 AA became Alma’s new church, where she grew to become a guru in the program. In 1994 we stood together and buried her son, my father, Wayne. It’s around that time Alzheimer’s started pulling her away.
In 2005 NPR aired a story about her (transcript). I invite you to hear Alma in her own voice, “Grandmother: Aging, Decline & Love” (8:16 mp3):
Hearing Voices from NPR®
077 AIDS Diaries: For AIDS Awareness Day
Host: Barrett Golding of Hearing Voices
Airs week of: 2010-11-24 (Originally: 2009-11-25)
South Africa has been hit hardest with H-I-V/AIDS. Five million people are infected (Avert: SA). One of them, Thembi Ngubane, at nineteen years old, carried a recorder in 2005 to document her life (NPR | PRX). Produced by Joe Richman, edited by Debra George and Ben Shapiro; more of Thembi’s story, with an audio-visual gallery, is at AIDSdiary.org.
“Day without Art” (5:02) Barrett Golding
December 1st is World AIDS Day. In the arts community it also had this other name, DWA.
Poet Kwame Dawes travels his native Jamaica talking about HIV/AIDS. This is part of the hour-program “Live Hope Love: HIV/AIDS in Jamaica” (PRX) Support came from the MAC AIDS Fund, of MAC Cosmetics, and from and PRX, the Public Radio Exchange. Produced by Stephanie Guyer-Stevens and Jack Chance of Outer Voices, for the Pulitzer Center on Crisis Reporting. Their emmy-winning muchomedia website for the project Live Lope Love.
[Fresh from Joe Franks’s Facebook page, reprinted by permission…]
Across the alley is an apartment building. You look into one of the windows and see an old black couple arguing in a loving, formulated fashion that they’ve worked for years to perfection. He gestures violently, his left hand holding a half‑eaten turkey leg.
She, continually wiping her hands on her apron, finally balls her fist up and shakes it in front of his face. He turns away in disgust. Who is she? Bessie, mother of many children, daughter of a sharecropper, opens the Bible to the very same verses. Behind her eyes lurk 1,000 dead Ashanti dreams. She possesses the keys to a house in the suburbs. She gets car fare. She takes the early bus to where she wears the same housedress and walks from room to room carrying a radio. She’s never paid taxes — she’s always paid in cash. She has no Social Security number.
She is an angel on earth, the guardian of the house, forever wiping her hands upon her apron, tucking the children into bed, sitting heavily beside them, her breath sweet, her stories bittersweet, her hair a crinkly, soft white tied with a bandana, always weary, never tired, with a great posterior that moves with grace from room to room. Housemaid, housemother, house spirit, protector of children’s dreams. Verses, Psalms. She sings them in a melody that evokes the sound of a great flowing river, of distant banjos, the scent of magnolias, great porticos upon which gentlemen with drooping mustaches sit, feet up, drinking mint juleps.
She knows the secrets of the master and mistress of the house. She knows where he keeps his pornographic magazines, where she keeps the list of lovers that she visits from time to time. She’s found the wife’s recent love letters, airplane tickets to destinations not mentioned in daily conversations, receipts for jewelry the wife does not possess, and deep within a jar of Vaseline, the key to a motel room.
She’s found the cotton handkerchief into which the teenage son spills his seed in the secret moments of his private ecstasy. She’s found a small, brown bottle with white powder in it, the cap of which is attached by a small, brass chain to a spoon, rolled up into a pair of socks in the drawer of the teenage daughter’s bedroom.
While in Iraq, former U.S. Army Sergeant Matthew McCue witnessed the power and peace-making potential of agriculture. When he returned to the States he worked with the Farmer-Veteran Coalition, and now works at the French Garden Farm near Sebastopol. Says McCue: “I still want to make the world a better place. I think i can do more good with a shovel than with an M-16.” McCue worked with the Farmer-Veteran Coalition and the French Garden Farm in Sebastopol CA, This story was originally produced for the SpeakeasyDC Storycast.
A century ago, Troy, New York, was a thriving industrial capital. Today many of its residents live in poverty. Studio 360’s Lu Olkowski went to Troy with poet Susan B.A. Somers-Willet and photographer Brenda Ann Kenneally to document some of Troy’s stories. They spent a lot of time with a single mother, Billie Jean Hill.
The result is poetry as journalism w/ some staggeringly accurate and beautiful photos:
Joyride Media’s recently PRX-posted a Gazillionth (or so) Monty Python Radio Special, narrated by Keith Olbermann (MSNBC). They start with this Python mini-masterpeice, “Radio Tuning Radio 4” (0:30 mp3):
I read these things so you don’t have to: a 30-page essay, “IP Radio – A vision of radio in the Internet age” (Jan09 pdf), by Pierre Bellanger, CEO of Skyrock, the French radio & popular social net. Within are history and prognostications on all things digi-radio-future, but few new perspectives (“Radio, like the written press, the music industry and television, is changing”, etc.).
Peace Talks Radio is raffling a “
Christmas wishes from soldiers at U.S. Army Contingency Operating Base Speicher, Northern Iraq: Sgt. First Class Siatuu Quarterman, Sgt. First Class Claudia Bullard, Staff Sgt. Brian Allen, Specialist Nico Kane, Staff Sgt. Robert Lacome, and Simon Welte.
The radio program Interfaith Voices has a new series of sacred sonic features called 
Ars Technica looks at radio’s image thru Hollywood’s lens, from Pump Up the Volume to Petey Greene to Pirate Radio, in “
Drove 1100-miles in 19 hours last Wednesday — MT to NoCal — to be with fam for Thanksgiving. Pubradio kept me company the whole way (‘sides some signal-less spots in ID mtns and NV desert, filled with Joe Frank and TAL podcasts.)
While in Iraq, former U.S. Army Sergeant Matthew McCue witnessed the power and peace-making potential of agriculture. When he returned to the States he worked with the Farmer-Veteran Coalition, and now works at the French Garden Farm near Sebastopol. Says McCue: “I still want to make the world a better place. I think i can do more good with a shovel than with an M-16.” McCue worked with the 
Joyride Media’s recently PRX-posted a