Hearing Voices from NPR®
088 Scene of the Crime: Victims, Cops, and Criminals
Host: Jake Warga of Hearing Voices
Airs week of: 2011-04-13 (Originally: 2010-03-31)
“Weegee interview” (3:04 excerpt) Mary Margaret McBride
An archival interview with 1950s NYC crime scene photographer, Arthur Fellig (1899-1968), aka, Weegee. SoundPortraits has more of this July 1945 interview by nationally-syndicated talk show host Mary Margaret McBride (WEAF-New York City). (Music: “Angel of Solitude” by Alias.)
Casey (no first name ever revealed) was crime photographer for the fictional Morning Express newspaper. He and reporter Ann Williams snapped shots, tracked criminals, and solved crimes. This excerpt from episode 330 (of a total 431) of the popular half-hour mystery-adventure series aired 1950-03-02.
A short clip from the third episode (1948-10-10) of this NBC show, starring Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler.
The This American Life producer spends a couple days riding around L.A. with the professional “Crime Scene Cleaners, specializing in homocides, suicides, and accidental deaths.”
Hearing Voices from NPR®
087 Thumb and Thumber: The Joy of Hitchhiking
Host: Larry Massett of Hearing Voices
Airs week of: 2011-04-06 (Originally: 2010-03-24)
Hitchhiking was once common, These days it’s aquired an aura of danger and desperation. Who wants to take the risk — especially after all those gruesome stories about rapists and serial killers? But occasionally you can still spot some guy stranded on the side of a road, sign out, thumb up, hoping that your car will be his salvation. Is he dangerous? Insane? Or just plain dirty? Maybe we should stop and find out. (PRX)
Hitchhiking cross-country with a telegram for the Dalai Llama, a prayer for compassion from the cops, and half your net worth invested in a pair of high-top sneakers.
Hearing Voices from NPR®
085 Protest: At the National Mall & Town Halls
Host: Barrett Golding of Hearing Voices
Airs week of: 2011-03-23 (Originally: 2010-02-24)
Protest may be new to some parts of the world, but in America, complaining about the government is a national pastime. We hear protest music and mashups; we go to protest marches, from Vietnam War era actions on the National Mall, to modern-day Tea Parties and Town Halls:
“Town Halls 2009” (2:05) Barrett Golding
Protest used to be mainly for the young and left-leaning, but recently older right-wingers have joined the party — the Tea Party. When Congressmen went home in 2009, this is what they heard from constituents. Music: Jeff Arntsen, mix: Robin Wise, audio: excerpted from YouTube videos.
The popular Burmese rock band Iron Cross is using music to challenge the nation’s infamously repressive regime. In the great tradition of rock and roll, Iron Cross is taking on Burma’s military government with song.
Hearing Voices from NPR®
084 Place Your Bets: What Happens in Vegas
Host: Alex Chadwick of Conservation Sound
Airs week of: 2011-01-26 (Originally: 2010-02-17)
A classical composition, in three parts, for strings, winds, and an interview with Tom Martinet, who trained to be a priest, but, instead, started working Nevada dice tables. Premiered 1997 in Vegas, performed by Sierra Wind Quintet. Re-released on PKB’s 2006 Larkin Gifford’s Harmonica.
“Poker at the Ox” (9:54) Alex Chadwick
An NPR hosts pits his wits against the regulars at a downtown small-town casino. Guess who wins. Produced by Carolyn Jensen; sound engineer by Michael Schweppe.
“Old Gambler” (7:07) Joe Frank
An excerpt from Joe’s hour “Zen” in his series The Other Side. What happened in Vegas… definitely didn’t stay in Vegas. Getting on the wrong side of Sin City’s collection crew.
“Bass Keno” (8:18)
Jazz bassist Kelly Roberti (David Murray Quintet) lost his bass to the keno machines. He kicked the habit; the scars remain, but the bass is back. Kelly was a 2010 Governor’s Arts Awards winner.
“Lock It Up” (5:56) John Ridley
A radio drama written for Ridley’s 2001 LA Series on NPR Morning Edition. Performers are Bob Wisdom, Yang Chee, and Jim Wallace (script).
Above photo of the Las Vegas sign by Kcferret, June 2005.
The final hour in our three hour-long retrospective of this first decade of the century, and the millennium:
Shortcut Thru the 21st Century, Part Three (52:00) Peter Bochan
We survey selected speech, song, and soundbites of the stories and celebs from 2006 thru 2009: Christ’s passion, planetary climate change, presidential contenders, Ponzi schemes, collapsing economies, Tiger, Michael, Sully, Britney, Bush, Obama, foreclosure, bailout, Bradgelina, Miss USA, You Tube, and the continuing decline of western civilization.
Shortcuts are assembled, mixed and mashed by audio wizard Peter Bochan, of All Mixed Up, WBAI-NYC and WPKN-Bridgeport CT. (All three 21C Shortcuts hours are at PRX.)
Part two in this three hour-long retrospective of the first decade, of the century, of the millennium:
Shortcut Thru the 21st Century, Part Two (52:00) Peter Bochan
We survey selected speech, song, and soundbites from 2003 thru 2005; from the invasion of Iraq, to electing a U.S. President, to the flooding of New Orleans.
Shortcuts are assembled, mixed and mashed by audio wizard Peter Bochan, of All Mixed Up, WBAI-NYC and WPKN-Bridgeport CT. Next week, the final part: 2006-2009 (all three at PRX).
The first of a three hour-long retrospective of the first decade, of the century, of the millennium:
Shortcut Thru the 21st Century, Part One (52:00) Peter Bochan
After a quick 2009 intro, we survey selected speech, song, and soundbites from 2000 thru 2002; from the 2000 election and recounts, with Bush, Gore, Bill and Hill, thru 911, Homeland Security, and Afghanistan.
Shortcuts are assembled, mixed and mashed by audio wizard Peter Bochan, of All Mixed Up, WBAI-NYC and WPDK-Bridgeport CT. Next week, part two: 2003-2005 (all three at PRX).
Elvis Presley (born Jan 8 1935 Tupelo, Mississippi; died Aug 16 1977 Memphis, Tennessee), a 75th Birthday Party fit for a King, with fans, friends, religion and rockin’:
Interviews from the Elvis archives, and new ones with Gordon Stoker of The Jordanaires (Elvis’ backup singers) and Elvis friends (aka, Memphis Mafia) Jerry Schilling and Patty Parry. Produced by Paul Chuffo and Joshua Jackson of Joyride Media, for the Sony Elvis 75 project, which has more music and interviews. Also check Joyride’s other Elvis hours: The Early Years, In Memphis, and He Touched Me- Elvis Gospel Music.
Chuck Denault is a Police Officer for the small town of Kittery, Maine. He has two passions;: Serving the community he lives in and being the best possible Elvis Impersonator he can be. In April of 2003 the producer went for a squad car ride-along for some behind the scenes aspects of law enforcement and Elvis.
It is with a mixture of sadness and relief I announce the passing of my Grandmother: Alma J. Kelsey (Warga, Smith).
Born in Lincoln, Nebraska on July 4th, 1910, she passed away this weekend, 99 years later.
Alma was the oldest of seven siblings but the last to depart. She is survived by myself and her son Robin.
In 1928, at the age of 17, Alma Smith eloped with Wayne Warga, 19, and headed West for Hollywood to start a new life and a family. The family was harder to come-by for her husband was not medically able: but in 1938 she bore my father, Wayne (Bud), after a secret affair with an LAPD officer. Then in 1949 she met another man to have another child: Robin. She wanted a family so bad and bore the weight of her secrets until she started AA and revealed all.
In the 1970’s she met and married Dick Kelsey, painter and animator. They moved to Leisure Village in Camarillo where her Lilly Garden won village awards year after year. She stayed by Dick through his Alzheimer’s and eventual death.
In 1985 AA became Alma’s new church, where she grew to become a guru in the program. In 1994 we stood together and buried her son, my father, Wayne. It’s around that time Alzheimer’s started pulling her away.
In 2005 NPR aired a story about her (transcript). I invite you to hear Alma in her own voice, “Grandmother: Aging, Decline & Love” (8:16 mp3):
Hearing Voices from NPR®
077 AIDS Diaries: For AIDS Awareness Day
Host: Barrett Golding of Hearing Voices
Airs week of: 2010-11-24 (Originally: 2009-11-25)
South Africa has been hit hardest with H-I-V/AIDS. Five million people are infected (Avert: SA). One of them, Thembi Ngubane, at nineteen years old, carried a recorder in 2005 to document her life (NPR | PRX). Produced by Joe Richman, edited by Debra George and Ben Shapiro; more of Thembi’s story, with an audio-visual gallery, is at AIDSdiary.org.
“Day without Art” (5:02) Barrett Golding
December 1st is World AIDS Day. In the arts community it also had this other name, DWA.
Poet Kwame Dawes travels his native Jamaica talking about HIV/AIDS. This is part of the hour-program “Live Hope Love: HIV/AIDS in Jamaica” (PRX) Support came from the MAC AIDS Fund, of MAC Cosmetics, and from and PRX, the Public Radio Exchange. Produced by Stephanie Guyer-Stevens and Jack Chance of Outer Voices, for the Pulitzer Center on Crisis Reporting. Their emmy-winning muchomedia website for the project Live Lope Love.
The NPR Halloween music playlist is screaming thru Nov 3, click the image below to start the scare; hours of horror, from Bach’s Toccata to Bauhaus’ Bela Lugosi. Complete list of spooky songs at Ghosts In The Machine: A Haunted Mix:
Based on a conversation with Edna Wofford about ESP, dreams and intuition. From the 2003 CD, Mayor of the Tennessee River. Artist David Greenberger of Duplex Planet has been collecting the thoughts, memories and stories from elderly Americans for more than a quarter century.
From birth, a young Native American has been bleeding from his chest. The government keeps him locked in a cell, refusing to heed his uncle’s warnings. A 3D ZBS adaptation of Cherokee writer Craig Strete’s short story from The Bleeding Man and Other Science Fiction Stories.
La Llorona — the weeping woman — is the Mexican equivalent of the bogeyman. The man she loved rejected her, in madness she drowned her children, then herself. Now she roams the night wailing “Aaay, Mis Hijos;” a scary story that keeps children from wandering at night: “La Llorona will get you.”
“I Want to Bite Your Hand” (2:03 excerpt) Gene Moss (MP3J mashup)
Gene Moss’s 1964 Beatles parody mixed w/ SFX by MP3J. Full vers at Mashuptown, “I Want to Bite Your Hand”” (2:50 mp3):
“Jesus and I Go to Hell” (6:48) found-sound
From a cassette tap found by The Professor of WFMU (mp3) & TheAudioKitchen.net. A video vers with images added by Kenneth Salt: More…
The Kitchen Sisters are looking for stories and images and videos and writings.
We’re launching a new multimedia series on NPR this January, a listener collaboration in the tradition of Hidden Kitchens, Lost & Found Sound, and The Sonic Memorial Project. This one’s about girls. Girls and the women they become. Stories of coming of age, rituals and rites of passage, secret identities. Of women who crossed a line, broke a trail, changed the tide.
Small everyday stories, dramatic life and death stories. Stories from the middle of the city, to the middle of nowhere.
What women should we know about? What girl’s story should we tell? The famous, the infamous, the unknown, the untold. Women with public lives. Women with secret lives.
Call our NPR Storyline at 202-408-9576 and tell us your story, or the story of someone we need to chronicle. Or email us at kitchen@kitchensisters.org
And here’s The Contest. We want you to help us name this new NPR series. We’ve called it The Secret Life of Girls Around the World, The Scheherazade Project, 1001 Stories, all names we like but can’t go with for one reason or another. So, we turn to you to join our brainstorming sessions. You can call or email us with your suggestions. Whoever picks the title will be featured on our website, get the full line of Kitchen Sisters products and productions, a wild boar dinner with forager, Angelo Garro, and the deep satisfaction of hearing the title you came up with on NPR throughout the year.
This soon-to-be-titled project will be full of richly layered sound and striking images, created by people around the world who help capture these stories of eccentric, trailblazing women and ground-breaking girls.
Join The Kitchen Sisterhood and help launch this new multimedia collaboration.
The sounds of a St. Louis Cardinals’ baseball game are combined with the echoes of Scott Joplin’s ragtime and the distinctive calls of Bushy Wushy the Beer Man. This 39-year veteran beer vendor at Busch Stadium, he shares his love for the game, the crowd, and the communal spirit of St. Louis. Commissioned by Continental Harmony, a partnership of America Composers Forum, the National Endowment for the Arts, and the White House Millennium Council. Performed by Equinox Chamber Players, who premiered the work in their hometown of St. Louis.
“National Anthem” (1990 5:01) Gwen Macsai of Re:sound
Our “Home Team” guest host goes to games at her local minor league stadium, in Prince William, Virginia. After hearing the a host of different folk try to sing the Star-Spangled Banner there, she figures she could do better. That’s where the trouble begins.
“Rookie League” (1989 9:41) Barrett Golding
At the Helena Brewers ballpark in Montana, teens and early twenty-somethings get their first, and for most their only, taste of playing of pro baseball.
“Dug-Out” (1993 27:15) Terry Allen
The fictionalized history of two people: a man born in the late 1800s who runs away from home to play baseball, and a woman born in the early 1900s in a half-dugout (a small house partially built into the side of a slope or hill), who grows up to be a piano player and a beautician. Told by Terry Allen, Jo Harvey Allen, and Katie Koontz, with music by Terry Allen. Commissioned in 1993 by New American Radio. (“Radio Memories” self-interview with Terry Allen.)
UPDATE: The NPR Road Trip site owner tells us NPR now has their own station-trip tool: NPR: Station Finder.
Found this on the NPR site: NPR Road Trip. It’s a nifty gadget that maps your route and the NPR stations along the way. Mouse over the radio tower icon and you’re presented with call letters, frequency and the approximate broadcast range.
A road trip along historic route 66 in New Mexico, exploring America’s past and present. Tour includes a Santa Fe cooking class, a hot air balloon ride above Albuquerque, Acoma tribal traditions, a mining museum in Grants and a historic hotel in Gallup. Aired on NPR All Things Considered; by producer Jake Warga, “Route 66 Postcard” (8:20 mp3):
David Brynes likes bikes, and has a new book about it, Bicycle Diaires.
His music tour travels with a few folding bikes, and the crew pedals around the world’s towns where they’re playing. Here’s the NPR interview, and book excerpt, “David Byrne’s Wild Wild (Biking) Life” (9:31 mp3):
Katie Couric’s annual salary is more than the entire annual budgets of NPR’s Morning Edition and All Things Considered combined. Couric’s salary comes to an estimated $15 million a year; NPR spends $6 million a year on its morning show and $5 million on its afternoon one. NPR has seventeen foreign bureaus (which costs it another $9.4 million a year); CBS has twelve. Few figures, I think, better capture the absurd financial structure of the network news.
—”Katie and Diane: The Wrong Questions” Columbia Journalism Review
by Jay Kernis 2006-12-19 (Presentation to NPR Stations)
It’s an exciting time to be in public radio — as we all try to figure out how we will become public media.
For more than a year now, under the New Realities banner, the public radio community has been talking about everything from how to use new technology to share stories from the past and present — to creating a new business model to fund public radio — to articulating our mission in a media world that offers so many choices. A new world where the biggest challenge is just getting the attention of the audience.
Here’s one provocative statement from these discussions — a challenge — that really got me thinking:
“NPR has found its distinctive SOUND.
It is now time for NPR to find its true voice.”
–Quote from an NPR reporter (February 2006)
To me, that reporter was saying: it is time for us to discover what we truly want to become.
Because if we fail to do so, audiences will go elsewhere. If we fail to do so, we will be prey to the others who will define us. The others who call us “liberal” or “effete” or “boring.”
The statement by the reporter differentiates between our sound and our voice. I’m going to talk about both for a few moments.
To help us find our true voice, I asked NPR News to make a few what I called “tweaks” — SIX OF THEM actually — most of them involving the issues we’ve been discussing for years. Decades, actually.
First, I told them that when people tune to an NPR program, I want them to hear reports and interviews and essays that inform them, of course, and that ask them to question preconceived notions — but that’s not all.
I want the air to SING. I want programming that carries listeners to new places — intellectually and emotionally; programming that awakens you, that keeps you in your car to hear the ending, and that makes you want to tell a friend about what you heard. That makes you want to tune in again and again. Programming that soars — and sings.
But, the six areas I want us to pay a lot of attention to — right now — are: More…
Michael Massing, in the The New York Review of Books, has a numbers-packed eval of the newsprint biz, “A New Horizon for the News.” Among the insights:
Last year, circulation dropped on average by 4.6 percent.… Yet amid all this gloom, statistics from the Internet suggest that interest in news has rarely been greater. According to one survey, Internet users in 2008 spent fifty-three minutes a week reading newspapers online, up from forty-one minutes in 2007. And the traffic at the top fifty news Web sites increased by 27 percent. While this growth cut across all age groups, the Pew Project for Excellence in Journalism found, “it was fueled in particular by young people.”…
According to one study, of all the time readers spend with a newspaper, 96 percent of it is spent on print editions and barely more than 3 percent on the Web. Similarly, of the $38.5 billion spent on newspaper ads in 2008, just $3 billion was spent on the Web. With numbers like these, print is not going away anytime soon.…
How could the financial fortunes of a $50 billion–plus industry decline so swiftly while its product remains so prized? The most immediate explanation is the collapse of what has long been the industry’s economic base: advertising. The traditional three staples of newspaper advertising—automotive, employment, and real estate—have all drastically declined, thanks to Craigslist, eBay, the travails of Detroit, and the consolidation of department stores (resulting in fewer retail ad pages). Meanwhile, the steady expansion of space on the Internet has caused online ad rates to crash, and these are not expected to recover even when the economy as a whole does.
The fall-off in ad revenues has been compounded by another phenomenon that newspaper executives would rather not discuss: their own greed. The relentless stress placed on acquisition and consolidation, which dominated the industry for decades, helped drain money out of newsrooms and into the pockets of shareholders. It also shifted the locus of decision-making from locally based citizens to distant corporate boards. Most harmful of all, efforts to build large media conglomerates have saddled newspaper companies with astounding levels of debt, much of it taken on to buy other newspaper companies.
And, at the end, a salute to NPR:
To date, the funding of nonprofit journalism has been led by the Knight Foundation, with added support from Carnegie, Ford, MacArthur, and George Soros’s Open Society Institute.… When it comes to cultivating such sources, everyone looks to one organization for guidance: NPR. At a time when not only newspapers but also commercial broadcasters are struggling, NPR has thrived.
Hearing Voices from NPR®
The 
Call our NPR Storyline at 202-408-9576 and tell us your story, or the story of someone we need to chronicle. Or email us at 
Join The Kitchen Sisterhood and help launch this new multimedia collaboration.
From CJR, another 