Surveying the sonic spectrum of musicians warming up for a performance. We hear old-time singer Abigail Washburn, concert pianist Lang Lang, Brazilian singer Flora Purim, mezzo-soprano Cecilia Bartoli, Tuvan rocker Albert Kuvezin, singer songwriters Gillian Welch and Dar Williams, bel canto tenor Lawrence Brownlee, and cellist Yo-Yo Ma. Montage by David Schulman
One of the world’s great operatic singers explores what it means to approach the human voice as an instrument — like a trumpet or violin, produced by David Schulman.
“Negativland: Interview” (14:35) John Rieger
The cutup artists, Negativland, chew up and spit out the media, turning their NPR interview into audio art; accompanied with excerpts from their 1987 Escape from Noise.
TAL crossed the 400th episode line with an hour of “Stories Pitched by Our Parents.” Among them was one Nancy Updike did with her dad about the Erie Canal, featuring this addictive original ditty she co-writ w/ musician Dave Hill:
The clerics at the Jumeirah Mosque in the United Arab Emirate of Dubai are opening their doors to tourists. To help demystify Islam, visitors learn the basics of the religion with a guide.
Recently, as part of the US draw-down in Iraq, the US base in Tikrit, “JCC” or Joint Coordination Center, was handed back to the Iraqis. Sergeant First Class George Havel, a soldier with 232 Regiment spent four months in Tikrit, helping to coordinate emergency services. Sargeant Havel gave journalist Jake Warga a tour of Mahmoon Palace, originally built to celebrate Saddam Hussein’s birthdays. US forces had been occupying the palace up until the recent hand-over, living in its marbled halls under golden chandeliers.
A 2-article rundown on distributing pubradio programs, and the $s involved, is published in AIRblast: Part I and Part II. Features lotsa intervus with producers and program directors. Evals who’s buying what for how long and how much. And it’s loaded w/ how-tos, data, and personal perspectives on PRSS and PRX.
Producer Nancy Solomon recently posted her first piece on PRX: “The interface works great; I was pleasantly surprised how easy it was. Their help desk was super helpful and easy to get a hold of. I like the way the page looks; I like the way it’s laid out and the flexibility the format gives you to put both segments and whole pieces up. I was also amazed and pleased at how accessible John Barth was to talk about how best to promote the show.”
So, if a radio piece falls in the PRX forest, will a PD hear the sound? Not always. “Producers putting stuff on PRX is like thousands of crack addicts selling their junk on street corners,” says Charles Lane, producer, WHSU News reporter, and former PRX election curator. “We’re just curious street exhibits with sad eyes hoping programmers might spot our wares, as they race to wherever they’re going.”
But what producers really want to know is: How’s it work? And: How rich will I get?
Hearing Voices from NPR®
088 Scene of the Crime: Victims, Cops, and Criminals
Host: Jake Warga of Hearing Voices
Airs week of: 2011-04-13 (Originally: 2010-03-31)
“Weegee interview” (3:04 excerpt) Mary Margaret McBride
An archival interview with 1950s NYC crime scene photographer, Arthur Fellig (1899-1968), aka, Weegee. SoundPortraits has more of this July 1945 interview by nationally-syndicated talk show host Mary Margaret McBride (WEAF-New York City). (Music: “Angel of Solitude” by Alias.)
Casey (no first name ever revealed) was crime photographer for the fictional Morning Express newspaper. He and reporter Ann Williams snapped shots, tracked criminals, and solved crimes. This excerpt from episode 330 (of a total 431) of the popular half-hour mystery-adventure series aired 1950-03-02.
A short clip from the third episode (1948-10-10) of this NBC show, starring Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler.
The This American Life producer spends a couple days riding around L.A. with the professional “Crime Scene Cleaners, specializing in homocides, suicides, and accidental deaths.”
The first of our Soldier’s Soundtrack series: Embedded with the 3rd Infantry Division, US Army, Baghdad, the producer plugged into the soldier’s iPods, asking them what they were listening to, why they liked the song, and what their lives were like. To Queen’s “Bohemian Rhapsody,” Major James Lockridge tells us, “The United States Army can go anywhere at anytime or anyplace. I learned that during the first war. I wouldn’t want to be anybody that had to face the United States.”
Aired on PRI The World; by producer Jake Warga, “Iraq: Major Lockridge- Bohemian Rhapsody” (2:47 mp3):
Hearing Voices from NPR®
087 Thumb and Thumber: The Joy of Hitchhiking
Host: Larry Massett of Hearing Voices
Airs week of: 2011-04-06 (Originally: 2010-03-24)
Hitchhiking was once common, These days it’s aquired an aura of danger and desperation. Who wants to take the risk — especially after all those gruesome stories about rapists and serial killers? But occasionally you can still spot some guy stranded on the side of a road, sign out, thumb up, hoping that your car will be his salvation. Is he dangerous? Insane? Or just plain dirty? Maybe we should stop and find out. (PRX)
Hitchhiking cross-country with a telegram for the Dalai Llama, a prayer for compassion from the cops, and half your net worth invested in a pair of high-top sneakers.
In Mom, Dave Isay, StoryCorps founder and editor of the bestselling book, Listening Is an Act of Love, presents a celebration of American mothers from all walks of life and experiences. Selected from StoryCorps’ extensive archive of interviews, Mom presents the wisdom that has been passed from mothers to their children in StoryCorps’ recording booths across the country.
The publshers of Reality Radio have allowed to post a bit of their book. From John Biewen’s Introduction:
The goal is to bring together producers with distinctive, powerful, and richly varied approaches to their craft. Some of our essayists call themselves audio artists. They push the boundaries of journalism to the breaking point—okay, beyond the breaking point—in the service of an aesthetic vision but also in pursuit of a different (higher?) sort of truth. Others describe themselves primarily as storytellers, drawing mainly on the narrative power of the spoken word. Still others see themselves as journalists; on the surface, at least, they emphasize information over formal innovation. But the journalistic documentarians, too, give careful attention to form and, in fact, employ plenty of (conventionally sanctioned) artifice along the way.
Here’s an excerpt of the essay “Coming Home,†by Katie Davis:
A boy rumbles by on his skateboard, says his name is Julio and asks to pet the dogs. Sure. Another twelve-year-old bellows like a carnival hawker, “Hey lady, you got a tire patch?†Sure. And I give Joaquin ten dollars to run to the bike store to buy three patch kits, one for him, and the rest I’ll keep for other kids. The super from the building down the street notices the cluster of kids and lugs up two old bikes he found in the alley. And this is how, without planning, I start a recycle-a-bicycle program on my front porch. Everything takes place on my front porch for a long while.
I become known as the “bike lady,†the lady who always has granola bars and time to sit and listen. After a year, I form a youth group called the Urban Rangers and begin raising money to pay for bike parts and snacks. Two teenagers ask me start a basketball team. Sure why not? And then as I explain my philosophy to the guys, that winning is not important on this team, and everybody will get to play in every game. “No, no,†the boys interrupt and begin coaching me on how to be a coach. The dialogue is funny and that night the rusty part of my radio brain begins chanting, Good tape. Good tape.
So, I call an old friend at NPR and float the idea of writing an “essay with tape†about my team. I warn the show producer that the story will be personal, like a diary, that I break the rules of journalism in every paragraph. I write in the first person and I have not kept any objective distance from these boys. I give money to two brothers because I know they are hungry. I hire another kid’s father because they are struggling on $12,000 a year. The boys hang out at my house, they come to tell me about problems. I no longer wanted any distance between me and these neighborhood kids. NPR solves the issue of my status by calling me a commentator. My transition from reporter to commentator took four years of neighborhood porch sitting and trouble shooting and is distilled into this one word.
The first all-girl radio station in the nation, WHER-Memphis, went on-air in 1955. It was the brainchild of sound legend Sam Phillips, who created the groundbreaking format with money he raised from selling Elvis Presley’s Sun Studios contract. Women almost exclusively ran the station. They read the news, interviewed local celebrities, and spun popular records. They sold and produced commercials, directed and engineered programming, and sat at the station’s control boards.
NPR’s Susan Stamberg hosts this one hour special on WHER, produced for the Kitchen Sisters’ series Lost and Found Sound. Mixed by Jim McKee of Earwax.
Reality Radio celebrates today’s best audio documentary work by bringing together some of the most influential and innovative practitioners.
Contributors [include]: Jay Allison, damali ayo, Emily Botein, Chris Brookes, Scott Carrier, Katie Davis, Ira Glass, The Kitchen Sisters, Maria Martin, Karen Michel, Rick Moody, Joe Richman, Dmae Roberts, Stephen Smith, Sandy Tolan.
Publisher UNC Press offers this Q & A w/ the book’s editor John Biewen.
Hearing Voices from NPR®
085 Protest: At the National Mall & Town Halls
Host: Barrett Golding of Hearing Voices
Airs week of: 2011-03-23 (Originally: 2010-02-24)
Protest may be new to some parts of the world, but in America, complaining about the government is a national pastime. We hear protest music and mashups; we go to protest marches, from Vietnam War era actions on the National Mall, to modern-day Tea Parties and Town Halls:
“Town Halls 2009” (2:05) Barrett Golding
Protest used to be mainly for the young and left-leaning, but recently older right-wingers have joined the party — the Tea Party. When Congressmen went home in 2009, this is what they heard from constituents. Music: Jeff Arntsen, mix: Robin Wise, audio: excerpted from YouTube videos.
The popular Burmese rock band Iron Cross is using music to challenge the nation’s infamously repressive regime. In the great tradition of rock and roll, Iron Cross is taking on Burma’s military government with song.
Wes ‘Scoop’ Nisker tried to transform what news can be, blurring the lines of communication between newscast and sonic-collage. His reports aired on KSAN, the wildly popular commercial station, in the 1970s.
Selected casts were later compiled as “A Decade In your Ear” by New American Radio, and are now posted at Scoop’s site. This underground classic “helped define and express the counter-culture of that era. You will hear the voices of presidents, people in the streets, and the Swami from Miami.”
Tomorrow night (Sat Feb 20 8p) Union Docs premeires a DocumentaryFortnight at MoMA- NYC, hosted by Kara Oehler of HV and MapMainSt:
This is a year-long program for non-fiction media research and group production brings together 12 media artists (including Tina and Shawn) from diverse backgrounds (film, radio, poetry, architecture, performance, photography) to collaboratively create new works. This Saturday, we’ll be screening and performing pieces from our most recent collaborative project – the exploration of myths and mythology in documentary. Partly inspired by Roland Barthes classic Mythologies, a slim volume from 1957 composed of many short but revelatory essays, this ongoing multi-media project seeks to interrogate some of the myths that underlie everyday life.
Following the MoMA presentation, we will head over to The Space in Long Island City for our official benefit after party. Join us for drinks and music, featuring the legendary New York City brass ensemble the Hungry March Band and surprise DJ’s. $7 suggested donation, 10:30pm – until?
(46-01 5th Street at Vernon Ave, LIC. Take the E and V to the 23rd Street Ely Avenue stop.)
Hearing Voices from NPR®
084 Place Your Bets: What Happens in Vegas
Host: Alex Chadwick of Conservation Sound
Airs week of: 2011-01-26 (Originally: 2010-02-17)
A classical composition, in three parts, for strings, winds, and an interview with Tom Martinet, who trained to be a priest, but, instead, started working Nevada dice tables. Premiered 1997 in Vegas, performed by Sierra Wind Quintet. Re-released on PKB’s 2006 Larkin Gifford’s Harmonica.
“Poker at the Ox” (9:54) Alex Chadwick
An NPR hosts pits his wits against the regulars at a downtown small-town casino. Guess who wins. Produced by Carolyn Jensen; sound engineer by Michael Schweppe.
“Old Gambler” (7:07) Joe Frank
An excerpt from Joe’s hour “Zen” in his series The Other Side. What happened in Vegas… definitely didn’t stay in Vegas. Getting on the wrong side of Sin City’s collection crew.
“Bass Keno” (8:18)
Jazz bassist Kelly Roberti (David Murray Quintet) lost his bass to the keno machines. He kicked the habit; the scars remain, but the bass is back. Kelly was a 2010 Governor’s Arts Awards winner.
“Lock It Up” (5:56) John Ridley
A radio drama written for Ridley’s 2001 LA Series on NPR Morning Edition. Performers are Bob Wisdom, Yang Chee, and Jim Wallace (script).
Above photo of the Las Vegas sign by Kcferret, June 2005.
President Johnson signs the Public Broadcasting Act, November 7, 1967
The Public Broadcasting Act of 1967 established the Corporation for Public Broadcasting. “Independent producers” and “independent production” are mentioned sixteen times, including, “a substantial amount shall be distributed to independent producers and production entities…”
Some of my other favorite phrases:
The Congress hereby finds and declares that —
It is in the public interest to encourage the growth and development of public radio and television broadcasting, including the use of such media for instructional, educational, and cultural purposes;
Expansion and development of public telecommunications and of diversity of its programming depend on freedom, imagination, and initiative on both local and national levels;
It is in the public interest to encourage the development of programming that involves creative risks and that addresses the needs of unserved and underserved audiences, particularly children and minorities;
The Corporation is authorized to —
Facilitate the full development of public telecommunications in which programs of high quality, diversity, creativity, excellence, and innovation.
—Public Broadcasting Act of 1967, as amended
Hearing Voices from NPR®
TAL crossed the 400th episode line with an hour of “
The clerics at the Jumeirah Mosque in the United Arab Emirate of Dubai are opening their doors to tourists. To help demystify Islam, visitors learn the basics of the religion with a guide.
Recently, as part of the US draw-down in Iraq, the US base in Tikrit, “JCC” or Joint Coordination Center, was handed back to the Iraqis. Sergeant First Class George Havel, a soldier with 232 Regiment spent four months in Tikrit, helping to coordinate emergency services. Sargeant Havel gave journalist Jake Warga a tour of Mahmoon Palace, originally built to celebrate Saddam Hussein’s birthdays. US forces had been occupying the palace up until the recent hand-over, living in its marbled halls under golden chandeliers.
A 2-article rundown on distributing pubradio programs, and the $s involved, is published in AIRblast: 
The publshers of 
A new new book out, 
Another stellar 
